valkyrie Tagged Articles at Cinematical
Spin-ematical: New on DVD for 5/19
Filed under: Action », Animation », Comedy », Documentary », Drama », Foreign Language », Horror », Independent », Thrillers », New on DVD », Family Films », Tom Cruise », Home Entertainment »

Valkyrie
Tom Cruise wants to kill Hitler. "Worth seeing for its irresistible ensemble of character actors, a handful of really well-crafted sequences, and a truth-based story that simply deserves to be repeated," wrote Scott Weinberg. Directed by Bryan Singer. Available in single-disc and double-disc editions, and also on Blu-ray. Rent it.
Add to Netflix queue | Buy at Amazon
Paul Blart: Mall Cop
Kevin James as a plus-sized man in uniform. "Harmlessly humorless, Paul Blart tepidly goes through its motions, but that doesn't mean you have to," opined Nick Schager. Directed by Steve Carr. Also on Blu-ray. Skip it.
Add to Netflix queue | Buy at Amazon
Remake of 1981 slasher flick. "Cheesy, corny, gimmicky, gory fun ... low-brow entertainment with high-tech execution," declared William Goss, and I concur. Consider this movie a love letter to horror fans. With Jensen Ackles and Kerr Smith. Directed by Patrick Lussier. Also on Blu-ray. Rent it.
Add to Netflix queue | Buy at Amazon
True Blood: The Complete First Season
Southern Gothic vampire weirdness translated remarkably well to television, despite some wonky faux-Louisiana accents. Not every episode works, yet even the imperfections and blemishes are fascinating to watch. With Anna Paquin. Also on Blu-ray. Buy it.
Add to Netflix queue | Buy at Amazon
After the jump: Indies on DVD, more Blu-ray picks, and Collector's Corner!
Tarantino's 'Basterds' Gets an August Release Date
Filed under: Action », Drama », Cannes », Fandom », Distribution », The Weinstein Co. », Newsstand », Quentin Tarantino », War »
.jpg)
So it seems The Weinstein Co. has opted to release Quentin Tarantino's Inglourious Basterds on August 21, 2009, which seems to be a strange date for not only a Tarantino flick, but also one starring Brad Pitt that's set during World War II. Late August is usually dumping ground for iffy action flicks and C-grade comedies. This past August 22 saw the release of Death Race, The House Bunny and The Longshots, to give you an example of the type of films we expect to arrive on that weekend.
Tarantino has already stated that he wants to screen Basterds at the Cannes Film Festival in May, so we assume some sort of cut will be finished by then. One imagines the buzz from that first screening will dictate the film's final release date. Personally, I can't see it staying in late August. Remember a similar move was attempted with the WWII flick Valkyrie, which was originally a June release before being pushed back to Christmas. If Basterds receives any type of awards buzz out of Cannes, the Weinstein Co. will package it right up, toss it into the Toronto Film Festival or The New York Film Festival and release it in the fall.
All I know is that both The Weinstein Co. and Tarantino should think real hard about when they want to release this film, especially after the botched release of Grindhouse on Easter weekend. It should be interesting to see where this sucker eventually ends up. When do you think a film like Inglourious Basterds should hit theaters?
Weekend Box Office: An Embarassment of Christmas Riches
Filed under: New Releases », Box Office »
Christmas fell on a Thursday this year, leading to a very lucrative four-day weekend for all but one of the Christmas Day openers. The pattern has always been to open one, maybe two big films around Christmas. This year we got five. Marley & Me was the best family option, and led the pack with $51.7 million over the long weekend, setting a Christmas Day record in the process. Good word-of-mouth is likely -- the audience reaction at the showing I saw can only be described as "epic." I think I may have actually caught some inanimate objects crying toward the end. Scarves, handbags, etc.
Adam Sandler's Bedtime Stories was next, underperforming slightly with $38.6 million. Sandler is somewhat untested in the PG family film arena, but I had expected Bedtime Stories to land somewhere in the vicinity of Click, which grossed $40 million on a three-day weekend in June. Bedtime Stories' $28 million three-day is the lowest for a film headlined by Sandler since Eight Crazy Nights in 2002, or if you think that doesn't count, since Little Nicky in 2000. Of course since Bedtime Stories opened on a Thursday, using the three-day number isn't quite fair. In any event, the fact that Marley took off certainly didn't help.
The third-place, $39 million finish for The Curious Case of Benjamin Button is a draw. That the heady, nearly three-hour drama was able to compete in this marketplace is surely a relief to Paramount, but the movie is so expensive ($150 million) that people were probably hoping for more. On the other hand, $30 million for Valkyrie -- which people had written off as a stinker after some release date shuffling and an upswing in general Tom Cruise negativity -- is cause for some high-fiving at MGM/UA.
Review: Valkyrie
Filed under: Action », Drama », Thrillers », MGM », Theatrical Reviews », War »

My main (and only big) problem with Bryan Singer's Valkyrie is the same problem I have with "movie stars" in general. For example, I believe that Tom Cruise is a very fine actor, or at least a generally underrated one, but since he's a Movie Star before he's an Actor (and yes, he is), I find it almost impossible to LOSE him in a role. Sean Penn gets lost in a role. He just vanishes! Johnny Depp does it a lot, too. (Or at least he used to before the Pirate flicks came along.) Julia Roberts as a Victorian Queen is still Julia Roberts to me, which is why I prefer those chameleon-ish character players like Gary Oldman and John Malkovich.
In other words, I never once (for a second) "bought" Tom Cruise as a grizzled, burnt-out, one-armed German army officer in the new wartime thriller Valkyrie -- but because he's a movie star who knows how to carry a flick, he still anchors the tale with a strong and crisp screen presence. And while, yeah, it is a little distracting to hear high-ranking German soldiers speaking with American, British and Irish accents, the simple fact is that Valkyrie is a very slick old-school-style adventure movie. In some ways it feels like a perfectly enjoyable mid-'50s war movie that's been re-made with only the finest in modern cinematic technology. The plot is pure potboiler, but the look is grade-A Hollywood.
Interview: 'Valkyrie' Producer and Writer Christopher McQuarrie
Filed under: Thrillers », MGM », United Artists », Podcasts », Celebrities and Controversy », Tom Cruise », Interviews », War »

Best known as the writer of The Usual Suspects, Christopher McQuarrie has an impressive number of films on his resume (including his criminally overlooked directorial debut, The Way of the Gun), but Valkyrie -- opening nationwide this week -- saw him also serve as a producer alongside director Bryan Singer and star Tom Cruise. A thriller about the 1944 plot inside the German military to try and assassinate Adolph Hitler, Valkyrie turns one of history's nightmares into a taut modern thriller -- a tricky balancing act that the film pulls off: "What we tried to do was to always maintain the focus that this was a movie about an event, that this was a movie about the events of July 20th (1944), and remain focused on that. We weren't making a bio-pic, we weren't making a film about the Holocaust -- all of those things were happening ... (but) this movie is about this incredible event that happened. ... And at the same time, maintaining a sense of responsibility."
McQuarrie spoke with Cinematical from New York about working alongside the German government, how producing a mega-million war film was like "drinking from a firehose," forgoing German accents, his possible future take on superheroic franchise The Champions and much more. You can listen to the podcast here at Cinematical by clicking below:
You can also download the interview in full right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.
Box Office: Spirits, Stories and Buttons
Filed under: Action », Comedy », Drama », Box Office », Box Office Predictions », War »
1. Yes Man: $18.2 million
2. Seven Pounds: $14.8 million
3. The Tale of Despereaux: $10.1 million
4. The Day the Earth Stood Still: $9.9 million
5. Four Christmases: $7.7 million
Santa is leaving five presents under the tree for movie fans. Whether they contain coal or a GI Joe with Kung Fu Grip remains to be seen. All five of these are opening on Thursday, Christmas day, rather than the usual Friday.
Bedtime StoriesWhat's It All About: Adam Sandler stars in this comedy about a man who realizes that the fanciful tales he's telling his niece and nephew are coming true.
Why It Might Do Well: This seems tailor-made for people who liked Sandler's 2006 film Click which had a $40 million opening weekend and went on to earn $237 million worldwide.
Why It Might Not Do Well: Rottentomatoes.com is currently rating the film 21% rotten.
Number of Theaters: 3,500
Prediction: $36 million
The Curious Case of Benjamin ButtonWhat's It All About: Brad Pitt stars in a film based on an F. Scott Fitzgerald story about a man who is born at the age of 80 and ages in reverse.
Why It Might Do Well: Mr. Pitt carries some serious box office clout, the trailer looks intriguing and Rottentomatoes.com give the film 78%.
Why It Might Not Do Well: It is to laugh.
Number of Theaters: 2,900
Prediction: $22 million
Weekend Box-Office: Biggest Stars in the World Have an Off Day
Filed under: New Releases », Box Office »
You really expect a movie headlined by Will Smith -- the consensus Biggest Movie Star in the World -- to at least break $20 million in its opening weekend. You'd have to go back to 2001's Ali to find one that didn't. Instead, Seven Pounds -- poorly reviewed and marketed to emphasize the central mystery in a way that turned out mystifying -- played second fiddle to Jim Carrey's Yes Man, pulling in $16 million to Yes Man's $18.1 million.The Seven Pounds result is actually not terribly surprising, even given the Will Smith factor -- the movie is a morose downer, with none of the uplifting, holiday-appropriate draw of 2006's affable The Pursuit of Happyness (another Smith-Gabriele Muccino collaboration), and the people looking for that sort of thing have a lot to choose from this time of year, most of it carrying more cred. I'm a bit more taken aback by Yes Man's relatively weak opening. For a high-concept Jim Carrey comedy, opening a good three weeks after the last big light-hearted offering, $18 million is uninspiring. It's in the same ballpark as Fun with Dick and Jane, opening around the same time three years ago, but that one went up against three other comedies opening the same weekend, and was harder to market. I wonder if Jim Carrey's draw might be waning a bit.
Tom Cruise and Christopher McQuarrie, Together Forever
Filed under: Action », Drama », Foreign Language », Thrillers », Deals », Mystery & Suspense », United Artists », Warner Brothers », Scripts », Newsstand », Tom Cruise », Comic/Superhero/Geek », Remakes and Sequels », War »
Okay, maybe Tom Cruise and Valkyrie screenwriter Christopher McQuarrie won't be together forever ... but they are in for a very long haul. Variety reports that McQuarrie is penning no less than three projects for Cruise to star in. The first up is likely to be The Tourist, which has Cruise and Charlize Theron attached as the leads. A remake of the French thriller Anthony Zimmer, the original script was penned by Julian Fellowes. McQuarrie is quickly rewriting it so that the film can begin shooting by March.
The pair also might be returning to World War II, as McQuarrie and Mason Alley are teaming up to write Flying Tigers, the real life story of a volunteer fighter squadron that was formed to assist the Chinese in fighting the Japanese during WWII. Cruise isn't formally attached, but he has been itching to do another fighter pilot movie since the days of Top Gun.
But the most intriguing film on the McQuarrie-Cruise slate is the UA project The Champions, which McQuarrie is penning and producing alongside Guillermo del Toro. Based on the British television series about super-powered government agents, it's now being developed for Cruise to star in. It was inevitable that Cruise was going to want in on this whole "superhero" trend -- the aura around his Tropic Thunder costar Robert Downey Jr. was espcially hard to miss. How could he not want some of that? Remember, he's already attached to Sam Raimi's Sleeper, so he's obviously waking up to the trend and franchise potential of superpowers. Well, best of luck to McQuarrie and Cruise -- may the relationship be a fruitful one.
Tales of a BNAT Newbie
Filed under: Action », Animation », Classics », Comedy », Drama », Horror », Romance », Sci-Fi & Fantasy », Thrillers », Mystery & Suspense », Disney », IFC », Lionsgate Films », Universal », Warner Brothers », Festival Reports », Fandom », Focus Features », Family Films », Brad Pitt », Comic/Superhero/Geek », Remakes and Sequels », War »

I don't need much of an excuse to visit Austin, Texas. Find me an event that A) strings more than four movies together, and B) takes place at one of the Alamo Drafthouse movie theaters, and there's a good chance I'm checking my bank account, desperately scrambling for flight money. But despite the fact that I've done five SXSW visits, three Fantastic Fest trips, and a few more Austin journeys just for the heck of it ... I'd never attended a BNAT shindig. But I made it to the tenth annual Butt-Numb-a-Thon, and of course I had a damn good time once it got rolling.
Let's just do a quick run-through, chronologically speaking, and I'm listing just the FULL movies here. At the end I'll go over the various clips we were treated to...
Bryan Singer Talks 'Superman' Sequel and 'Valkyrie'
Filed under: Action », Deals », RumorMonger », Fandom », DIY/Filmmaking », Newsstand », Comic/Superhero/Geek », Remakes and Sequels »

It's a bird, it's a plane ... no wait, it's Bryan Singer dodging more Superman sequel questions!
Pretty soon Bryan Singer will be doing a big publicity push for Valkyrie, and when that time comes look for folks to be bombarding him with Superman sequel scenarios ("Well what if you half-produced it and starred as a villainous mutant Hitler who wears an eye patch -- is that an option?"). After all, things are still way up in the air regarding further installments for a franchise that's ... let's just say stalled at the moment. MTV managed to snag a quick chat with Singer regarding Valkyrie and you betcha they snuck a Supes question in there. On whether he'll be directing, Singer says, "At the moment, I can't really talk about that. I wish I could. From my perspective, I'm going to take a brief pause. This movie has taken a long time, so I'm going to take a pause. A movie like that takes some time to do right. That's all I can say about that."
The good news? Singer "can't" talk about it, which means something is brewing and he'd love to share his opinion. Most likely the studio has him on "shut the hell up" watch, which probably means we won't get anything more with regards to Superman until a decision on where exactly they're going with this sucker is made. Interestingly enough, he does admit to having dinner with The Dark Knight director Christopher Nolan. Says Singer, "We had dinner, and [Marvel Studios founder] Avi Arad ran into us. Isn't that strange? It was such a moment. The three of us were just sitting there thinking, "Isn't this bizarre?" I should have called ["Spider-Man" director Sam] Raimi up and said, "We've got sushi. Get over here!"
Tom Cruise meets Hitler after the jump!









