veterans Tagged Articles at Cinematical

There is no single superior format when it comes to documenting an issue. Non-fiction films have the advantage over fiction films in that they can give either a general overview, often with a sense of omniscience, or they can give a specific, personal study. Occasionally they can even provide a combined method. On a subject like Iraq War vets, both formats are necessary and effective. I will say, however, that I often prefer the broader documentaries, because with the narrower single-subject take I'm left wondering about the many other individuals. With technological accessibility what it is today, perhaps every Iraq War vet could get their own documentary -- but would this be at all sensible?

One vet is getting his own film thanks to garnering the attention of former talk-show host Phil Donahue. Tomas Young, a 24-year-old from Kansas City returned from the Iraq War paralyzed from the nipples down after being shot on his fourth day in country. Donahue, who believes his MSNBC show was canceled in 2003 because of his opposition to the war, met Young in 2004 while visiting Walter Reed Hospital with his friend Ralph Nader. Seeing as how he was then unemployed, he decided to shoot a documentary about the soldier. It is easy to imagine, too, that Donahue is making it for his own reasons, seeing it as his only outlet to speak out against the war and the media's mishandled coverage of it. However, he won't make any money off the film; he plans to donate any profits from the self-funded documentary to his wife's charity, St. Jude Hospital, and to Young.

If Vietnam was the first televised war and the Gulf War could be considered the first 24-hour coverage war (thanks to CNN), then the Iraq War might be called the most-first-hand-documented. Thanks to the more-immediate technologies of digital filmmaking, documentaries have been in abundance since the beginning of the conflict, giving us everything from ground-troop-shot films to quickly released looks at its aftermath. At this year's Tribeca Film Festival, films took us into battle alongside American soldiers (The War Tapes) and Iraqi insurgents (The Blood of My Brother) and brought us back home with the vets (When I Came Home; Home Front). Despite an overload of these documentaries, there still can't be enough of them, as they provide us with countless points of view and an immeasurable acquaintance with the reality of the ins and outs of the war.

Patricia Foulkrod's The Ground Truth: After the Killing Ends, which screened at this year's Sundance Film Festival, could be considered just another film about the homecoming of U.S. troops and their difficult return to civilian life, but despite its sharing two faces with When I Came Home (featured interviewees Paul Reickhoff and Herold Noel), the differences between the two films mark an apparent allowance for numerous looks into the subject matter. While covering Tribeca, I actually decided to skip the Iraqi vet pic Home Front, thinking it would be hard to handle too many similar films (it screened the same day as When I Came Home and The Blood of My Brother). Now I feel that there is no such thing as too many when it comes to understanding this or any war. It is the same reason that movies about WWII and Vietnam will continue to be made; the difference is that with documentaries, the immediacy of the truth seems to hit a little harder.