vexille Tagged Articles at Cinematical

Clockwise from top left: Get Smart, Transsiberian, Kung Fu Panda, Budd Boetticher Box Set, Planet of the Apes 40th Anniversary Collection.

Welcome to this week's edition of Spin-ematical, chock full of alternatives to election coverage!

Kung Fu Panda
Though some of the celebrity voices were useless, Jack Black is great, and the film itself is pleasant, good-natured, and respectful of Asian culture. Available in at least seven editions, including widescreen, full-screen, Spanish, a Christmas gift set, with and without Secrets of the Furious Five (a 20-minute short), and on Blu-ray; oddly, this doesn't release until Sunday. Buy it.

Transsiberian
Traveling by train in the dead of winter from Beijing to Moscow should be much more restful than what happens to Woody Harrelson and Emily Mortimer in this adventure / suspense / thriller; Ben Kingsley plays a menacing Russian detective. I'm recommending this one sight unseen because Brad Anderson (Session 9, The Machinist) directed. Includes a 34-minute "making of"; also available on Blu-ray. Replays are inevitable. Buy it.

Get Smart
The bumbling Maxwell Smart as a generic action hero? (*sigh*) Steve Carell makes the character his own by repeating the old catchphrases without enthusiasm and proving to be far too adept for his own -- or the movie's -- good. Anne Hathaway is a very sexy spy, but Dwayne Johnson is miscast and even Alan Arkin struggles. The TV series never took itself too seriously; if only the movie had done the same. Available in widescreen and full-screen editions, as well as a two-disk version and on Blu-ray; a plethora of bonus scenes are included, notably a 5-minute "vomit reel." Ugh. Skip it.

After the jump ... Indies on DVD, more Blu-ray debuts, and Collector's Corner.

Vexille
After premiering at Cannes in 2007, Fumihiko Sori's Vexille traveled the world, got a limited US release in February, and has now, finally, arrived on DVD. Set in Japan during the year 2077, Vexille is a female agent sent to Tokyo to determine whether Japan is developing robotic technology that has been banned by the UN -- this after being dumped by the UN and lurking under a satellite cloaking device.

The flick is all sorts of pretty; it's got women as the two main heroes, and a score by Paul Oakenfold, which makes the whole deal even more tasty. Reviewing it from TIFF, Scott said the film has "the most eye-popping animation this side of Miyazaki." How can you beat that?

Well, you could beat that with a disc or two full of special features, but unfortunately, this is all we're getting for the time being. Just the movie. However, if you demand special features on your discs, and happen to have a region-free player, there IS a Region-3 2 DVD version with a Making of featurette, interview, CG images, and trailers.

Check out Scott's review | Buy the DVD

The complete line-up for the second edition of the AFI Dallas International Film Festival has been announced, and beyond the galas and the glitter, the programming team has assembled an intriguing schedule. Robert Wilonsky of Unfair Park was the first to post the news and highlighted several of his recommendations.

First, though, the stars: Helen Hunt will appear in support of her directorial debut Then She Found Me, which will serve as the Opening Night Gala on March 27, and Charlize Theron and Woody Harrelson will walk the red carpet for the closing night presentation, Battle in Seattle. Sometime in between, Robert De Niro and Barry Levinson will come out hustling for their latest, What Just Happened? Special awards will be given to Hunt, Theron, Jack Lemmon (in care of the late actor's widow, Felicia Farr), Mickey Rooney (?!), and Todd Wagner.

AFI Dallas established itself on the local social calendar last year as a premium civic-boosting event. That's good for the city, but as a film buff, I'm glad to see more international films in the narrative competition, more docs, an expanded and ace-looking section devoted to music docs ("Deep Ellum Sounds"), an entirely recommended six-film "Mavericks" section (featuring the French Chrysalis and the Japanese Vexille), and a ton of shorts. There's a fair share of titles that are dragging around lukewarm notices (see What Just Happaned? above), but I'm glad that local audiences will have a chance to decide for themselves. Cinematical will be covering the festival, which begins on March 27 and runs through April 6.

When it comes to the feature-length anime-action stuff, I consider myself a fan of the stuff -- but by no means any sort of passionate enthusiast or trivia-filled expert. My problem with most of these movies is a pretty common one: Despite all the stellar animation, cool characters and mega-nifty mayhem -- most of these movies have stories best described as ... indecipherable. Fortunately the latest by Japanese filmmaker Fumihiko Sori (Ping Pong) is cleanly-plotted and enjoyably accessible. Relatively speaking, anyway ...

Plus it has some of the most eye-popping animation this side of Miyazaki.

Vexille takes place in a semi-distant future in which Japan has hidden itself away from the rest of the world. Expelled from the United Nations and hidden behind a powerful satellite cloaking device, the country is knee-deep in a civil war of sorts. The evil company known as "Daiwa Heavy Industries" has taken to populating Tokyo with a race of humanoid cyborgs -- but here comes a team of do-gooders intent on kicking evil's ass! Most of the heroes are interchangeable gun-toters, but they also come complete with elaborately cool suits of flying body armor. And that's always fun.

If you're a film geek like me, you're sitting on pins and needles waiting for the full Toronto International Film Festival schedule to be announced. I'm skipping out on the fest this year because I just put my kids through a 2,000 mile move (though I will be at Telluride giving you all the coverage you can handle from there), but that doesn't mean I'm not pumped up about Cinematical's TIFF coverage, which will be extensive.

The start of the fest seems ages away, and the full schedule isn't even announced for six more days -- stop teasing us already! (Yes, as a kid I did try to scope out the hidden locations of Christmas gifts well before the big day -- I've never liked surprises. What can I say, I'm a control freak.) In the meantime, here's something to whet your appetite: The TIFF Blogs are up and running at full steam. A little sampling of what you can find there:

The Full Frame Documentary Film Fest programmer Phoebe Brush shares her picks from the Real to Reel section with the group. Since docs are one of my own fave genres, I was especially interested in what Phoebe has to say about the TIFF selections. Phoebe's picks are The Dictator Hunter by Klaartje Quirijns (about the brutal regime of Hissène Habré, the former dictator of Chad) Weijun Chen's Please Vote for Me, which played Silverdocs in June, where it won the Sterling Feature competition, and Encounters at the End of the World, which Werner Herzog fans and fanatics will no doubt be lining up to see in droves.

Other TIFF docs that we're especially interested in include Darfur Now, Hollywood Chinese, A Jihad for Love, and My Enemy's Enemy. Scott Weinberg and I saw My Kid Could Paint That at Sundance, and I'd recommend that one for a great doc to see and then talk about over late-night ales at a pub or a 2AM pizza slice.

Midnight Madness is always one of the most fun parts of TIFF, and Scott Weinberg will once again be Cinematical's Man at Midnight, bringing you all the hottest horror reviews and on-the-scene action from those always-zany midnight crowds. Over on the Midnight Madness Blog, MM programmer Colin Geddes gives you a sneak pick at one of the most-anticpated films in the Midnight section, Fumihiko Sori's Vexille. Geddes points all you anime fans to the film's official website, which is streaming the first 12 minutes of the film. Vexille premieres at TIFF on Sunday, September 9 at Midnight Madness.

Other Midnight Madness coverage we're itching to bring you: Takashi Miike's Sukiyaki Western Django, The Diary of the Dead, Mother of Tears, and Stuck.

TIFF is one of the few places where you can really sink your teeth into some Canadian film, and there are some hot films from Canada in this year's lineup, including David Cronenberg's Eastern Promises, which stars one of my other secret movie star boyfriends, Viggo Mortenson. I stood about 10 feet away from The Viggo at last year's TIFF while waiting to interview Laura Linney, and I can attest that he is even better-looking in person -- the man just radiates "movie star" -- but I must confess that I prefer him all dirty and bearded as Aragorn to golden and glowing for press interviews. Other notable Canadian offerings that we'll try to cover: Francois Girard's Silk, Bruce Sweeney's American Venus, Ernie Barbarash's They Wait, and Martin Gero's Young People F*cking (that one just because ... well, because the title alone intrigues us).

That's enough to get us excited for the fest, now we just need to see the full lineup and start counting down the days. Let us know what you're hot to see us cover at Toronto. And hey, indie filmmakers -- if you have a film at TIFF you'd like us to check out, let us know. Some of my own fave fest finds would've gotten lost in the shuffle if a filmmaker hadn't contacted me to let me know about it. Also, please get your film listed on IMDb and get an easy-to-find official website up! The more we can find out about your film, the more likely it will be to stand out from the slew of films we have to sort through to decide what to cover, so help us out a little here, will ya?

Just days before its World Premiere at the Locarno Film Festival this past week, FUNimation announced that it had acquired "varied rights in North America and Latin America" to Vexille, an animated film from Japan. The company is based in Fort Worth, Texas and is perhaps best known for their extensive line of anime DVDs, including recent titles like Afro Samurai and Beck. But they've also been involved in the theatrical distribution business for a while, showcasing films such as the stylish Japanese action picture Shinobi.

As Monika Bartyzel reported previously, Vexille received a "glowing review" from Todd at Twitch, who saw it at an advanced screening, and Monika described the trailers as looking "pretty cool." Vexille was made by the production team behind the very impressive 2004 Appleseed and contemplates a future in which android techonology is banned; Japan refuses to go along and closes itself off from the rest of the world. Ray Bennett at The Hollywood Reporter saw it at Locarno and opines: "Anime is an acquired taste but fans will surely respond to the picture's dynamite energy. Those not already in the fold will find this one very easy to take." Derek Elley of Variety was at the same screening but was not impressed: "Those who wondered what all the fuss was with Appleseed will be even more mystified by Vexille ... Clumsily structured, dawdling yarn."

Vexille will open in Japan on August 18. It has been sold to 75 territories by production company Shochiku, according to Variety, and will play at the upcoming Toronto film festival in the Midnight Madness program. FUNimation wants to screen Vexille at other North American film festivals in 2008 before releasing it to US theaters and DVD later in the year.

[ Via Twitch ]

Start injecting caffeine into your veins, boys and girls, because the first eight Midnight Madness titles have been revealed for the upcoming Toronto International Film Festival. The biggest name title has got to be George A. Romero's Diary of the Dead, in which the esteemed documenter of the dead goes back to his roots and tells a zombie origin story. Produced independently, Romero follows a kid named Jason (Joshua Close), who "obsessively films the madness" all around him as the dead return to life. I liked Land of the Dead, but I'd love to see what Romero does without studio interference.

Stuart Gordon is the other name director in the program and he's represented by Stuck. Not a traditional horror film, it's inspired by a true incident in which a nurse in Fort Worth, Texas (not far from where I lived at the time) struck a homeless man, drove home, parked in her garage, went to bed, and patiently waited until morning before calling the cops -- all with the hapless, bleeding man stuck in her windshield. Gordon has fictionalized the story, added some black humor, and cast Mena Suvari and Stephen Rea. Again, this sounds like it could be deadly good.

Also screening: Wilson Yip's Hong Kong action pic Flashpoint, starring Donnie Yen; highly-praised Japanese superhero comedy Dainipponjin; Xavier Gens' blood-soaked thriller Frontière(s); French "madwoman attacks trapped pregnant woman" suspense flick À l'intérieur; futuristic Japanese animated action film Vexille; and British gore-fest The Devil's Chair. Complete descriptions are available at the festival's site; you can also follow along with programmer Colin Geddes' blog. Two more titles are yet to be announced for Midnight Madness, which kicks off Friday, September 7.

[ Via Twitch ]

After time as a character animator for James Cameron's epic hanky romance Titanic, Fumihiko Sori has been slowly building a solid career for himself. In 2002, he directed a little film called Ping Pong, which followed the friendship of two high school ping pong players, and won him a number of Japanese Academy nominations as well as a win for Newcomer of the Year. Now he's been cooking up Vexille, coming from a script by Haruka Handa, whose other feature is the anime flick Appleseed.

According to a glowing review over at Twitch, Vexille is about a future where android technology becomes forbidden once lines between technology and humanity cross. Everyone signs the UN treaty but Japan, who secludes themselves from the world, kicking out foreigners and masking themselves from electronic/satellite surveillance. After 10 years of seclusion, a Daiwa (Japanese robotic company) executive comes to meet with international politicians. Vexille, a female op based in LA, discovers the politicians dead, that the Daiwa is a cyborg and then must infiltrate Japan to stop the company and save the world. But what really matters in an animated movie like this is the visuals. The film's website has a number of trailers up, and I have to say that it looks pretty cool, and some of the scenes actually look real. (This is doubly important when you have no idea what they're saying.) I could do without some of the cheesy music, especially at the end of the latest, but that's just the trailer. There's no word on international release, but the movie will open this August in Japan.