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The top two films at the box office this weekend couldn't be more different -- which might help explain why both had such strong starts. The third film in the Disney Channel's wholesome, wildly popular High School Musical franchise, and the first to hit theaters, had a $42 million debut, and will go on to be at least as wildly profitable as its predecessors. $30.5 million for Saw V is basically in line with its three immediate predecessors, all of which had first weekends between $31 and $33 million. The films' final grosses have been steadily declining since the second film, however, with the most recent entry dropping like a rock and managing only $63 million total. We'll see if that trend continues. I'd say, though, that this debut guarantees a sixth Saw for next Halloween. As Eric wrote yesterday, it is now the most lucrative horror franchise in film history.

The only other new wide release this weekend was Pride & Glory, which New Line more or less dumped. It did a predictably weak $6.3 million, good enough for fifth place.

Oliver Stone's W. took a big hit, as the people who needed to see it apparently saw it last weekend. It dropped nearly 50%, with a $25-28 million finish looking likely. Max Payne held up even worse after last week's strong debut. Meanwhile, two films from the early fall doldrums continue to emerge as success stories: Eagle Eye and Beverly Hills Chihuahua are both still hanging around, and both looking to reach $100 million before all is said and done.

In 20th place, Clint Eastwood's Changeling made a strong limited bow: half a million on fifteen screens, for $33,000 per screen. It goes wide next week. A bit further down, the annual rerelease of Tim Burton's A Nightmare Before Christmas 3-D couldn't do much business, ending up with $372,000 on almost 300 screens.

The full estimates after the jump.

While there's more than enough new content for everyone this weekend, we're going to focus on the three more talked-about films, and try to get a sense of which flicks will cause you to open the wallet. Surprisingly, if you're down for a raunchy teen sex comedy, Summit's Sex Drive might just be your best bet come Friday night. Oh yes, I bet you didn't see that coming. Buzz on both Max Payne and W. has been lukewarm, with a lot of Twitter hate being thrown at the former. Previewing Eric D. Snider's upcoming review of Max Payne for Cinematical, he unfortunately has this to say: "I know we've often complained that these movies were ALL action and NO substance, but this one has gone in the opposite direction. Well, except there's not really any substance, either."

Our own James Rocchi was a bit indifferent with his excellent upcoming W. review for Cinematical, noting: "If distance grants perspective, though, you could also argue that proximity grants immediacy, and argue that Stone's W. is not meant as a somber, serious look back but rather a cautious, nervy attempt to peer into the recent past, a film with, in the words another Presidential candidate recently borrowed, 'the fierce urgency of now.'"

But perhaps neither of these films do it for you. If that's the case, might I suggest a little indie currently airing on Starz called The Big Bad Swim. It's a darling of a film, and it's available through Starz On Demand through October 30th. Quiet, quirky and kinda fun. Check it out. (Paid for by Guys Who Really Dig Jess Weixler)

Those furry little buggers took us by surprise and Beverly Hills Chihuahua hung on to the number one spot for two consecutive weeks. Body of Lies surprised too, taking third place despite formidable star power before and behind the camera. Here's the top five:

1. Beverly Hills Chihuahua: $17.5 million
2. Quarantine: $14.2 million
3. Body of Lies: $12.8 million
4. Eagle Eye: $10.9 million
5. Nick and Norah's Infinite Playlist: $6.4 million

Four more new ones this week starting with:

Max Payne
What's It All About: In this video game adaptation, Mark Wahlberg plays a widowed cop with an attitude investigating a series of killings.
Why It Might Do Well: Director John Moore has obviously seen Sin City, so maybe some of Frank Miller and Robert Rodriguez's dark and gritty neo noir cool will rub off. Based just on the number of theaters I'm betting this takes the number one spot.
Why It Might Not Do Well: Despite having enjoyed Resident Evil, I still cringe at the idea of a movie based on a video game.
Number of Theaters: 3,200
Prediction: $24 million

Here's a round-up of some stuff (and things) currently causing waves online:

-- Moviefone has launched the latest installment of Unscripted, featuring stars Josh Brolin and Elizabeth Banks discussing their new film W. using reader questions and some of their own. Additionally, above you'll find some newly-released art for the film. Heh.

-- After breaking up with Paramount, Dreamworks has officially found a new f*ck buddy in Universal, so says Variety. The two signed a seven-year worldwide distribution deal.

-- Darren Aronofsky's The Fighter looks to be in trouble. Now that the writer-director is working hard on that Robocop remake, seems this other flick is being neglected. Brad Pitt has apparently dropped out, and Mark Wahlberg -- who's been training for the role for over a year -- doesn't seem to know the film's current status. All that being said, Slashfilm claims their scouting locations in Mass.

-- A few photos of Mel Gibson on the set of Edge of Darkness have appeared online, most of which show the man going full-Diddy, forcing some woman to hold an umbrella so the sun doesn't, ya know, shine on the poor man. In case you forgot, this film marks Gibson's return to acting as a homicide detective investigating the death of his daughter. See image to the right, click to see enlarge. [via Crabbies Hollywood]

-- A theme park in the UK is actually moving forward with a ride based on the Saw films, called Saw - The Ride. I bet folks will just kill to get on it. HAR! Apparently, we're looking at a ride with "beyond vertical drop of 100-degree from a height of 100ft, as well as a rather sinister sounding "three inversions" to add to the fun." Who's down? [via IGN]

Guillaume Depardieu, the 37-year-old son of Gerard Depardieu, died today in Paris from a bout of acute pneumonia. Depardieu, who's starred in upwards of 20 films, struggled with drugs and drinking over the years.

A few new images of Samuel L. Jackson and the late Bernie Mac in the new film Soul Men have arrived in the Cinematical inbox. Check them out in the gallery below.

Welcome back to another installment of Insert Caption -- the game President Bush would love to play ... if only he knew how to find the internet. Zing! Last week we asked you to "go long" for a photo from the new movie The Express, and score you did. Congrats to the three sports who managed to cross into our funny zone. (Get it -- instead of end zone, I said funny zone? Heh ... wait, why aren't you laughing?)

1. "Staring Contest? This is no Staring Contest....This is FOOTBALL!" -- Darren C.

2. 'Coach: Why aren't you playing up to your obvious potential yet?
Player: Because we haven't had the requisite training montage yet!" -- Matt B.

3. "Damn ... Did you hear about O.J.?" -- Chaz K.

See full image and all captions


I'm a little afraid of the captions we'll be receiving this week, in honor of the new Oliver Stone flick W. (in theaters October 17), though I'm sure our readers will show a little {cough} respect with their captions. Based on the life and times of our current president (who'll be leaving office in just a few months), W. stars Josh Brolin (as W.) and a whole slew of all stars as some of our most favorite political heroes. The candidates behind our three favorite captions will spin away with one W. poster, one W. t-shirt and a set of six W. shot glasses. Sound off below ...



Read the official rules for this contest

There are girls swinging on a red swingset and piles of potluck food piled high on the tables, all nestled into a wood-fence-lined back yard. According to Oliver Stone's W., this is how George W. Bush met Laura Welch -- the girl who says: "I read. I smoke. I admire." No wonder the two ended up together!

The above is a clip about their meeting, which has popped up over at CNN. Now I know that the big question surrounding this film is whether people will go to see it, or ignore it, kind of like the proliferation of Iraq war films out there. I have to say, if W. tanks when it hits screens on October 17, it would be a waste. The film looks entertaining, it has a distinct life to it, and it would be a shame to miss how the killer cast takes on their roles -- Brolin, Banks, Cromwell, Burstyn, Newton, Dreyfuss, Wright, Glenn, Gruffudd, and Bradford.

Each day seems to bring us yet another piece of promotional marketing for Oliver Stone's Bush flick, W. Not long after Moviefone debuted the trailer, AICN now has a teaser poster and what you see above is one of two newly-released images from the film. They're definitely pimping it, trying to get folks interested in a movie about the life and times of George W. Bush even though many of us are tired of the man, the jokes, the legend -- all of it. We've spent 8 years with this dude ... can't we just shake his hand, thank him for a job done and move on?

Anyway, W (which feels like it was shot and edited in three weeks in order to make a pre-Election Day release date) arrives in theaters on October 17, and we were wondering how much you think it's gonna make? With one of the biggest presidential elections in years only a couple weeks away from that date, and with the entire world watching to see who we'll replace Dubya with, will all that chitter-chatter raise more or less interest in the Oliver Stone movie? Is this the kind of flick that will surprise everyone with a giant taking, or will it crash and burn? Sound off below ... and we'll revisit your answers in a couple months when W rolls out.

If anyone was still expecting Oliver Stone's W to be a sympathetic, thoughtful treatment of a controversial figure a lá Nixon, you can pretty much toss that out the window. The teaser poster for the rushed-to-production George W. Bush biopic -- a piece of artwork Lionsgate took with them to Cannes -- makes Stone's attitude toward the man pretty clear. Check it out after the jump.

My question is this: does anyone seriously think that people are going to flock to the theater in the middle of election season lured by the promise of... Bushisms? That's your marketing pitch? Bush supporters don't appreciate the jibes, and Democrats have already heard all the jokes.

Look, I don't want a movie that's kind to Bush, or even one that's "even-handed"; I just want one that's thoughtful. Of course it's possible that the poster doesn't match the tone of Stone's film; after all, the Lionsgate marketing department almost certainly had final say. Granted, too, this was a poster produced for Cannes, and may not be representative of the eventual American campaign. But everything I've heard about W -- most notably this -- indicates that the poster has it pretty much right. Bush is a frat boy, a bumbler, "the improbable president." No doubt. But is he anything else?

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When the writers' strike was looming, folks were rushing to get things done. This time around, with SAG, we've got some big-budget films trucking ahead, or scheduling re-shoots, without worry of the actors heading for the picket line. It almost feels like it's just some wild rumor. But it's not, and Variety reports that there is a pretty large "Waiverland" in case things go ahead.

SAG has set up 300 waiver deals with indie producers for post-June 30 production, should the strike go on. Now, Variety also points out that some of the big productions (like Terminator, which seemed surprisingly carefree about the possible strike), have scheduled in a hiatus just in case (hopefully long enough to cover it, should a strike begin), but others are going on the hope that there won't be one, like Angels and Demons and Prince of Persia. Risky business.

So, if you're wondering what some of the films are that got waivers, Variety shared the following: Edge of Darkness, W, My One and Only, Big Eyes, Labor Pains, Pandorum, Bad Lieutenant, Killing Pablo, and Brooklyn's Finest. Plus an earlier waiver list that included The Rebound, Law-Abiding Citizen, and Brothers in Arms.

We're in June now, so we'll know soon enough what will happen. Hopefully this can all be resolved without a big strike, but only time will tell.

For an emerging filmmaker, the Sundance Film Festival provides a starting point for the life span of a feature-length work. There's a far greater sense of immediacy, however, for the filmmakers involved in the shorts program, where a wide variety of material tends to begin circulating the festival world before fading into complete obscurity. That's why the short films that screened yesterday as part of the third annual Sundance Institute at BAM (Brooklyn Academy of Music) signified the most important aspect of the two-week event: With few exceptions, the films on display received the kind of exposure that helped validate this frequently neglected format. While some of the titles are available on iTunes, many that were shown to a packed house finally got the long-delayed reception they deserved.

Animated efforts almost always offer the best ingredients in any shorts program, since it's here that you'll find a combination of inspired side projects from gainfully employed studio animators and the works of struggling independent artists. The latest program couldn't beat the sheer brilliance of cult animator Don Hertzfeldt's short Everything Will Be Ok in last year's showcase, but two particularly memorable films left distinct impressions this time around.