Man, has this day brought us news of film-based video games aplenty -- one of which you can play for free right now and the rest of which some of you simply can't wait for.

But you'll have to. Wait, that is. They haven't made the darn things yet. Sheesh, hold your horses already.

Trade publication Variety tells us of these titles over the course of two separate articles. One piece points out Universal's plan to crank out several games based on their properties, but only names their highest-profile property at the moment: Wanted. If any of you have seen the film (and a $123 million gross would suggest as much), then you know just how well it should lend itself to the format, what with the bullet curving and knife fighting and Angelina Jolie ogling.

It wasn't too long ago that I was talking about how Jersey Boys should be adapted for the big screen. In that same post (and in another one as well), I said how Wicked was one of Broadway's best (if not the best) and yet it still hadn't gone the movie-musical route. Fans of the musical finally have a chance to rejoice, however, because Variety tells us that as part of producer Marc Platt's (Wanted) new, extended five-year contract with Universal, he'll be working on a movie version of Wicked, along with a sequel to Wanted and a remake of the rock opera Jesus Christ Superstar.

Here's what Uni's production president Donna Langley had to say about Wicked: "Our goal now is absolutely to make the 'Wicked' film, but much like Judy Craymer wouldn't give up screen rights to 'Mamma Mia!' until the stage show had reached its pinnacle, Marc and Stephen Schwartz are very mindful of the right timing. But we're dying to do it." Wicked, for those not in the know, is based on the best-selling novel about the two witches in the Land of Oz -- Elphaba, the future Wicked Witch of the West, and Glinda, the Good Witch of the North -- and is set mostly before The Wizard of Oz, kinda like a prequel. It'd also be an interesting adaptation because there's that fantasy element that hasn't really been present in the last round of movie-musicals; thus, I'll be curious to see how they pull this one off.

What say you? Is it time for Wicked to hit the big screen? Down for Wanted 2? Itching for more Jesus Christ Superstar?

The biggest movie star in the world has another July 4th notch in his belt. His fourth huge Independence Day release (fifth if you count Wild Wild West, which came out June 30th) is also his biggest: the outrageously underappreciated Hancock had a $66 million 3-day weekend, and $107 million over the five-and-a-half days from Tuesday night through Sunday. It's the third-best 3-day of the year, behind only Iron Man and Indiana Jones. The figure is skewed since the movie came out on Tuesday and Friday was a national holiday, but that's the stat.

The wide release of the critically acclaimed Kit Kittredge: An American Girl didn't go over too well: the movie took in $3.6 million on over 1800 screens. Not too surprising given its extremely narrow target demographic, but I was expecting it to expand a little bit stronger.

Wall-E took a pretty harsh 47% hit in its second weekend -- 30-40% has been more standard for recent Pixar releases -- but its $128 million cume is nothing to cry about. Wanted had it even worse after last week's surprisingly robust debut, dropping 60% to $20.6 million for the weekend and $91 million total. And no one wants to see The Love Guru, which dropped out of the top 10 in its third week and won't make it to $40 million.

The full 3-day top 10 after the jump.

Notwithstanding the best attempts of some to smear Wall-E as being somehow hypocritical or disdainful of consumers, the little robot gave Pixar the third-best opening weekend in its history, behind The Incredibles and Finding Nemo (and roughly tied with Monsters, Inc.). Its $62.5 million take was on par with expectations, though the lack of the usual family film Saturday and Sunday bump suggests that Wall-E attracted an impressive number of kidless Friday night moviegoers. And that bodes well for the weeks to come: the movie is quite sophisticated and not all that toddler-friendly, so word-of-mouth among adults will be key.

Given Wall-E's apparent cross-demographic appeal, one might have expected Wanted to struggle a bit as the weekend's "adult counterprogramming," but nothing doing: at $51.1 million and a strong second place, we may have a new franchise on our hands. The two combined to make this the strongest three-day weekend of the summer at the box-office overall; in fact, to find a higher combined top 12 gross, we have to go back to Memorial Day 2007 and the debut of Pirates of the Caribbean: At World's End.

The rest of the chart looks unremarkable. The Love Guru dropped almost 61% to 6th place, prompting the unsurprising conclusion that the Guru Pitka didn't connect with summer audiences. The Incredible Hulk continues to run behind Hulk, ruling out the possibility that it will have the staying power to do appreciably better than the embattled 2004 film. Wall-E gave Kung Fu Panda its first significant hit, dropping it to 4th place. Indiana Jones will break $300 million by the end of Monday, if Sunday's final numbers don't push it past the milestone. And The Happening looks like it will top out around $70 million.

The full numbers after the jump.

The numbers are in, and both Wall·E ($62.5 million) and Wanted ($51.1 million) absolutely rocked the box office this weekend. We'll save the full report for tomorrow morning, but we here at Cinematical wanted to know what you thought of each film. A Cinematical poll last week -- asking which movie you planned on seeing over the weekend -- showed that 40% of you were interested in watching both flicks. Since these are two completely different movies, we're not asking which one you liked better (though feel free to offer up that info). Instead, what did you think of each?

How does Wall·E stack up against the previous Pixar efforts? Was it better than Toy Story or The Incredibles? (Speaking of, don't forget to vote in our Best Pixar film poll, which currently has The Incredibles kicking total ass.) What about Wanted? Did it rock your socks? Or did style get in the way of substance? Sound off below ...

If Timur Bekmambetov is the Russian David Fincher, then Wanted is his Fight Club: bloody, brutal, funny, lightly satirical, and all about a nobody who shakes himself from his reverie and becomes a real man. There aren't many deep themes here (not as many as there are supposed to be, anyway), but who cares? The stylized violence and unapologetically ludicrous action sequences are the selling point, and Wanted delivers those by the blood-soaked truckload.

Wanted is about a Chicago office drone named Wesley Gibson (James McAvoy) whose life is so insubstantial that he gets zero hits when he Googles himself. But like Neo before him (only played by an actual actor, rather than a plank of driftwood), Wesley is rescued from his drudgery by a secret organization that wants to tell him who he really is and what his destiny can be. That's right, the Mormons.

No, kidding. The group is known as The Fraternity (but they let girls in, too), and it began a thousand years ago when a group of weavers decided that weaving was boring and they should become assassins. Today the group is run by Sloan (Morgan Freeman), with headquarters hidden in an actual textile factory. Every guy in the place is tough and mean, a real brute of the loom, if you will, and they show Wesley the ropes of shooting people from a distance. That's right: Wesley snipes. (That concludes the pun portion of this review.)

Just so we are clear, the new script by Wanted writers, Michael Brandt and Derek Haas, will have nothing to do with James Harriot's novel, All Creatures Great and Small -- although it does make a little confusing since they have the same title. The Hollywood Reporter announced that the duo have signed to complete a script for Sony and Original Films producer, Neil Moritz. According to Brandt, he and Haas came up with the idea after securing a blind deal with Sony, and Creatures was the first project they wanted to pitch to the studio.

Creatures centers on a future where humans are vastly outnumbered by animals. Brandt describes a pretty bleak future for us bipeds in the script: "... where people are literally living in forts, and the animals are running free."

Tonight, the screens will be full of James McAvoy and his Wanted co-stars bending bullet paths and pulling off funky tricks usually relegated to superheroes. The storyline sounds a lot like The Matrix, but luckily that also means keeping one of the previous flick's best features: a tough-arse female mentor. Tonight, Angelina Jolie will put aside her drama and revel in toughness and assassin death, but she's not the only one to do so.

Before Jolie took on the role of Fox, Uma Thurman rocked as The Bride. Above is my favorite scene from the first volume of Kill Bill -- the insidious whistling hospital scene. Considering all the NSFW elements of the two films, I figured this whistling teaser would be best. (But if you want more violence, watch them fight here.) It's Daryl Hannah at her finest, and Uma Thurman getting a nice bout of shut-eye.

Of course, there are a million different films that somehow tie into Wanted. If you're looking for more mainstream, successful action, you might want to check out Christopher Campbell's list of top critically acclaimed action flicks over at Spout.

The Last Rewind Answer: Believe it or not, while consensus has picked Marlon Brando as the man who wasn't considered for Fear and Loathing, it was actually Dustin Hoffman.

With Wanted opening this week, starring rapper Common opposite Angelina Jolie (and, I'm happy to see, getting some awesome reviews, making it one of the few movies I may pay to see just for the heck of it), we thought it would be a good time to revisit seven other rappers who've attempted the treacherous transition from rap artist to movie star.

What makes film producers look to rap stars when casting for the big screen? Well, aside from the built-in audience that comes from casting a popular rap performer in a movie role, rappers have to have stage presence to perform, and that charisma and personality can come across well on a movie theater screen. Here are seven of them; let me know which of your favorite rappers I missed. (And before any of you Outkast fans get all worked up: they are hip-hop, not rap, and this post was for the rappers; Outkast is one of my absolute favorite bands, though, and Andre Benjamin in particular, I consider enormously talented. I'll do a whole column on Outkast and what they're up to movie-wise in the near future, promise.)

1. Will Smith -- Smith charmed TV audiences as a teenager in his popular TV show The Fresh Prince of Bel-Air before hitting it big on the silver screen with the triple-whammy of Bad Boys (1995), Independence Day (1996), and Men in Black (1997). Since then, more hits have followed, and Smith and his wife, actress Jada Pinkett-Smith, have become Hollywood royalty; Smith's solid marriage and commitment to his family have earned him a reputation as one of Hollywood's genuine "nice guys," to boot. Smith is one rapper who successfully made the transition from singer to big-name actor, largely due to his charm, charisma and natural talent on the screen. His latest film, Hancock, opens July 2.

Well, it certainly seems that Mark Millar is becoming very popular in Hollywood these days. Pretty impressive considering his first movie adaptation hasn't even hit theaters yet. In an interview with the Sunday Herald, Millar let it drop that there have been some offers for his latest series, War Heroes. Millar told the Herald that there have already been two offers for the rights to the property, making Heroes the latest in a series of Millar's books headed for the big screen.

Millar describes War Heroes as Full Metal Jacket meets X-Men (which already sounds pretty awesome), and the story is set a few years in the future after John McCain has been elected president (and now you know you're in the realm of fiction). In Heroes, the US has been racked by terrorist attacks, so the government offers up superpowers to anyone willing to enlist in the military. But nothing ever goes that smoothly in the world of comic books, so as the story progresses, some less than savoury characters sign up to get the coveted powers.

Millar, unlike other comic book stars, seems to be happy turning his books into feature films. But don't think he's a babe in the woods when it comes to Hollywood; he seems to have a pretty good grasp on how the game works, telling the Herald, "They'll buy a project based on just a title, a blurb and an image." And if they smell what the business calls "high concept," they will go into a feeding frenzy."

Providing the box office receipts for Wanted are as good as everyone involved expects, it shouldn't take long for War Heroes to get a feature film deal of its own. What do you think? Sound interesting?