william hurt Tagged Articles at Cinematical

She's about to open the second-biggest film of her career, so what better timing than now to point you to a new peek at Kristen Stewart's next non-Twilight film? Check out the new trailer for The Yellow Handkerchief, a Sundance entry that follows three strangers in post-Katrina Louisiana – Martine (Stewart), Gordy (Eddie Redmayne), and Brett (William Hurt) -- as they search together for life, love, and the perfect Southern accent.

Ok, so it seems the Southern slangin' is done primarily by Stewart, while Brit Redmayne goes American and Hurt rocks the ex-con handlebar mustache. As they embark on a road trip together, the two teens listen to Brett's tale of the woman who got away (Maria Bello) while they navigate the murky waters of young love. (Read Erik Davis's Sundance review here.)

Watch the trailer after the jump.

Ladies and gentlemen of the jury, many of you feel my client Gerard Butler should be placed on movie star probation. In the light of new evidence, I plan to petition for a retrial as it would appear that Mr. Butler has abandoned romantic comedies in order to accept a role from England's greatest playwright. Yes, ladies and gentlemen of the jury, Butler is taking a role in William Shakespeare's Coriolanus alongside Ralph Fiennes, William Hurt, Vanessa Redgrave, and Jessica Chastain. Fiennes will be playing the lead and will be helming the adaptation in his directing debut, which was adapted by John Logan.

On a very awkward appearance on Baltimore WJX, Butler revealed that his next role would be in Fiennes' adaptation, and he described it as "a passion project" for them both. He didn't specify which role he would be taking on, but I'm hoping it's Coriolanus' sworn enemy, Tullus Aufidius. He always looks so good with blood on him, and it would be glorious to watch him fight Fiennes.

Of course, this is Shakespeare and financing could be difficult even with Fiennes at the helm, though a solid cast should help with that. It was one of the projects at the IFF this September, and I hope they found someone to give them some money. Not only does the world always need more Shakespeare, but Butler needs a meaty role now. Seeing as it was Steven Berkoff's Coriolanus was what ushered Butler into acting, I can think of no better production (save perhaps The Scottish Play) that could wrangle him another plea bargain.

Rewinding the past seven days of the wonderful world of independent films:

Deals. Twilight fans will have the opportunity to see Kristen Stewart in a different type of role later this year. In Udayan Prasad's The Yellow Handkerchief, based on a story by Pete Hamill, Stewart jumps into a stranger's car. She and the driver (Eddie Redmayne) are soon joined by a newly-released convict (William Hurt) as they travel through rural Louisiana toward a hoped-for reunion with the ex-con's beloved (Maria Bello). Samuel Goldwyn Films has acquired U.S. rights and is planning a theatrical release, according to indieWIRE.

Hans-Christian Schmid's legal thriller Storm will also hit theaters later this year, indieWIRE says, courtesy of Film Movement. Kerry Fox stars as a prosecutor at the International Criminal Tribunal for the former Yugoslavia in The Hague; she must convince a witness (Anamaria Marinca from 4 Months, 3 Weeks and 2 Days) to testify in order to convict a former officer of war crimes.

Box Office. Arriving with this year's Academy Award for Best Foreign Language Film in hand, Yojiro Takita's Departures took the #1 spot among indies. Set in and around a Japanese business tasked with preparing bodies for burial, the drama earned $8,327 per screen at the nine theaters where it opened in New York and Los Angeles, Box Office Mojo reports.

Also performing well in its debut weekend, Pressure Cooker grossed $8,151 at one theater in New York. The documentary, directed by Jennifer Grausman and Mark Becker, follows a high school culinary arts class in Northeast Philadelphia, where teacher Wilma Stephenson tries to help her students earn college scholarships. We've embedded the fiery trailer below.

After the jump: Outfest lineup, plus Transformers 2 in Los Angeles.

I never thought the day would arrive that I could blog this news! Coriolanus is hitting the screen in its first big feature film. After countless reimaginings of star-crossed lovers, turmoil in Hamlet town, and double toil and trouble, we're finally getting something new in Shakespeare Land. (And it only took a year after making my wish known as King Lear got another dose of the feature treatment.)

Empire reports that Ralph Fiennes is going to make his directorial debut with his take on the war-filled play, John Logan is penning the adaptation, and he's lined up Vanessa Redgrave, William Hurt, and Jessica Chastain to star. Coriolanus is one of Shakespeare's tragedies that follows Gaius Martius, a determined and formidable Roman general who is not a fan of the lower classes. He wins a great battle for Rome, becomes a hero, and is invited to become a consul in the Senate -- but he must get the support of the plebeians, which leads to his ultimate downfall.

Fiennes will also take on the title role, although there is no word on who the others will play. (It is, however, probably a very safe bet to say that Redgrave will be Gaius' mother, Volumnia. Otherwise, she'd be criminally underused.) Fiennes is probably one of the best bets out there, and one of the only ones who could follow in the shoes set forth on the screen -- Morgan Freeman (in one of the few adaptations in 1979) -- plus stage stints by Laurence Olivier, Colm Feore, Richard Burton, Ian McKellen, and my personal favorite -- Christopher Walken. Oh yeah, and Fiennes has tackled the role before.

I'm so very in. You?

Ridley Scott's Robin Hood has added so many people that we've actually fallen a bit behind in reporting them all. Shortly after Cate Blanchett came aboard as Maid Marian, the film added Mark Strong as Sir Godfrey, Alan Doyle as Alan-a-Dale, Scott Grimes as Will Scarlet, Kevin Durand as Little John, and Bronsen Webb as someone named Jimoen.

Deserving its own mention is my favorite casting (so far) -- Vanessa Redgrave as Eleanor of Aquitaine. I think she's possibly the only actress who can be as formidable in Eleanor's crown as Katharine Hepburn.

Now, The Hollywood Reporter says that William Hurt is joining up as William Marshall (or Marshal if you keep the historic spelling), a man described as "the greatest knight who ever lived" by his contemporary, Stephen Langton. He rose from obscurity to become a knight, who made his living in jousting tournaments a'la The Knight's Tale. He joined the court of Henry II and subsequently served the three following Plantagenets, including King Richard I, and his brother, King John. When he died, he was one of the most powerful men in Europe, and was known simply as "the Marshal."

It's been a long while since we've mentioned Julie Delpy's stab at Erzsebet Bathory blood lust with The Countess. This year, it screened at the Berlin International Film Festival, where it earned a decent review from The Hollywood Reporter, and there's now a trailer as well, which you can see below.

It looks to be a pretty interesting take on Bathory's tale. Delpy portrays her as an older, experienced woman who falls for a much younger man (Daniel Bruhl) under the watchul arm of his father (the one and only William Hurt). He disappears, and she suffers an obsessive love that morphs into a chilling blood lust -- not one of necks and teeth, but draining virgins to try and bathing in it to try and stave off age. I guess if you don't have botox botchulism, you've gotta take what you can get. As the review describes, this lust turns into practical bloodletting: "A metal cage with sharp, slicing knives drains away the blood, which gravitation pulls down into her chamber for long, leisurely baths."

It sounds horrific, but The Countess looks to be much more of an art-house drama -- and whether or not it gets a lot of North American play, it definitely sets Delpy up as a director worthy of much more than low-cost indie romance. As of now, there's no word on a US release, but hopefully that will follow the Germany and Netherlands releases later this year.

What is the appropriate reaction to have when a movie you love, adore, and cherish is somehow ... improved? I know, it's a strange feeling. I happen to think my all-time favorite film (A L I E N) is much better in its theatrical version than in its extended -- but where Aliens is concerned, I much prefer the longer version! It's something you have to approach on a case-by-case basis, of course, and it's the sort of movie-nerd activity that should be attempted only by those with a lot of free time -- or someone who gets paid to write about this sort of stuff. (Fortunately I am both.)

So it was with MUCH enthusiasm that I sat down with the brand-new Director's Cut of Dark City, a film that I absolutely love a whole lot -- and I know I'm not nearly alone when I say that. Like many of the finest sci-fi films, Dark City was pretty much overlooked for a good long while -- put once it hit DVD and heavy rotation on the cable channels, the sci-fi freaks found a film worth watching and re-watching, to say nothing of analyzing, deconstructing, and debating. And so I happily continue that trend by explaining what the fans will find in New Line's very impressive new Dark City package...

Here are a few statistics on the 2003 film Hulk:

• Directed by Oscar winner Ang Lee (Brokeback Mountain, Crouching Tiger)
• Written by Michael France (Cliffhanger), James Schamus (The Ice Storm), first-timer John Turman (and maybe 15 other screenwriters)
• Estimated budget: $137 million
• Worldwide box office: $245 million
• Rotten Tomatoes score: 61% positive
• IMDb user rating: 5.8 out of 10

So I ask you this: Are we talking about a failure ... or an underrated movie that's been unjustly labeled a failure? It matters not, I suppose, because the arrival of the all-new The Incredible Hulk, Marvel (and Universal) hopes to leave the first Hulk cowering in a dusty vault somewhere. (Until the next DVD re-release, of course.) So while I felt a strange bit of resentment towards this "forget that first movie, let's get a do-over" procedure, I felt pretty confident about the second Hulk's chances. Director Louis Leterrier has shown some skill with action flicks like Unleashed and Transporter 2, the new cast (which includes Edward Norton, Tim Roth, Liv Tyler and William Hurt) was pretty impressive, and (best of all) the producers were making one simple promise from the outset: More action.

Warning: The above TV spot kinda spoils the Tony Stark cameo in The Incredible Hulk. Watch at your own risk.

A very smart new TV spot for The Incredible Hulk opens on a snippet of the scene featuring Tony Stark (Robert Downey Jr.) and General Ross (William Hurt), spoiling what, for many of your average moviegoers, would have been a giant surprise. Of course, those of us living out our days in internet movie geek land have known about the Stark cameo for awhile now -- and if you visited New York Comic Con earlier this year, you would've seen a good majority of the Stark scene during the Hulk panel.

But the question is: Should they have ruined the surprise for everyone right off the bat with this new commercial? I guess it depends on which side you're on. From a marketing standpoint, it's kinda brilliant and a great way to show moviegoers that both The Incredible Hulk and the wildly-successful Iron Man are connected in some way. And while many predict Hulk will not pull in Iron Man numbers, throwing that film's star in a trailer will certainly help Hulk give its Marvel counterpart a run for its money. Then again, some folks like to be surprised -- but what's to say the Stark cameo is the only surprise in the film? Oooohhh ... goosebumps! I'm seeing The Incredible Hulk in just a few hours from now and I'm stoked. Fingers crossed for Norton, Roth and the gang!

The Incredible Hulk smashes into theaters this Friday.

[via The Movie Box]