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Posts with tag witless protection

Universal Sues Lionsgate for Stealing Alonzo Mosely

I was one of the hardy souls who endured the recent Larry The Cable Guy atrocity Witless Protection, and when I wasn't bleeding out the eyes or praying aloud for the sweet release of death, I was noticing something peculiar: The film has an FBI character named Alonzo Mosely, which was also the name of an FBI character in Midnight Run. In and of itself, that could be a coincidence. But take into account that both Alonzo Moselys are played by the same actor, Yaphet Kotto, and that both are responsible for tracking down on-the-run witnesses who are supposed to testify against the Mafia, and you realize this was done on purpose.

So that's cute, I thought. I figured they probably hired Kotto, realized how similar the character was to the one he played in Midnight Run, and renamed the new character as a little inside joke. Universal Pictures isn't laughing, though, and not just because they watched a Larry The Cable Guy movie. According to The Hollywood Reporter's law blog (not written by Bob Loblaw, unfortunately), they're suing Lionsgate for copyright infringement and seek to stop all further distribution of Witless Protection, including the DVD release scheduled for June 10.

That's right: If Universal wins the case, the movie will be taken out of circulation. Regardless of the legal ramifications, I see this as a victory for society.

Continue reading Universal Sues Lionsgate for Stealing Alonzo Mosely

Jeffrey M. Anderson's 400 Screens 400 Blows - Politics as Usual

Are films political? Do they fall into left-wing and right-wing camps? I would imagine that not all films have an agenda. Some films can be considered "great uniters," in that they bring together agreeing audiences from all over, films like the $200 million hits I Am Legend (264 screens) and National Treasure: Book of Secrets (177 screens) or a critical favorite like There Will Be Blood (339 screens) that has pleased nearly everyone who has seen it. Of course, There Will Be Blood is about a snaky, sinister, blustery oil baron willing to sacrifice his family, country and humanity for the allure of black gold, which may or may not have a little something to do with current events. (Not to mention that director Paul Thomas Anderson dropped the word "Oil" from the title of the source novel and replaced it with the word "Blood.")

In recent years it has been determined that film critics are a liberal bunch, educated, well-read men and women of letters, who can see and comprehend the human condition in films from different cultures all over the world. Or, they're sometimes known as pompous, ponderous, pretentious, conceited, snooty know-it-alls, lacking in good old-fashioned horse sense. "Why can't you just enjoy the movie," is a question very often asked of critics. Rambo (201 screens) is a fascinating case. It's impressively violent, but very grim and not much fun. Rambo debuted and reigned during the Reagan era (Rambo: First Blood Part II grossed three times the amount of the new film, even with 1985 ticket prices). Bringing him back in a decidedly different political atmosphere didn't seem to work, though the film was screened for the press and earned a few good reviews. It's now starting a downslide, and it's still shy of breaking even on its $50 million budget.

Continue reading Jeffrey M. Anderson's 400 Screens 400 Blows - Politics as Usual

Box Office: Vantage of the Witless

Fool's Gold held up reasonably well, taking the number four spot in its second week, with the rest of the top five filled out by the newbies. Jumper and The Spiderwick Chronicles made some coin, but they still have a ways to go before making back their $85 million and $90 million budgets respectively, and the sequel Step Up 2 the Streets managed to take the number three spot without the benefit of star power. Here's the rundown:

1. Jumper: $27.3 million.
2. The Spiderwick Chronicles: $19 million.
3. Step Up 2 the Streets: $18.9 million.
4. Fool's Gold: $13.1 million.
5. Definitely, Maybe: $9.7 million.

We have three films playing it for laughs this week, two of which appear to be smarter than your average comedy and one that is, to be kind, less so. And if you're not in the mood for a chuckle, we've also got a tale of assassination and deception at the presidential level.

Be Kind, Rewind
What's It All About: Jack Black becomes magentized and accidentally erases every tape in the video store where his friend (played by Mos Def) works. To appease a faithful but elderly customer whose mind is slipping, the pair set out to re-enact several Hollywood classics.
Why It Might Do Well: I've been looking forward to this one ever since the trailer first hit the net, and while the 64% fresh rating at rottentomatoes.com isn't overwhelming, it does give cause for hope.
Why It Might Not Do Well: As promising as this one looks, the relatively small release will keep this out of the top five. I suspect this one may have to wait for DVD tor find its true audience.
Number of Theaters:
800
Prediction: $7 million

Charlie Bartlett
What's It All About:
The new kid in school finds his own way of fitting in by dispensing psychiatric advice to his classmates from a bathroom stall.
Why It Might Do Well: The trailer conjures up fond memories of Ferris Bueller's Day Off, and Charlie is running a big 79% on the Tomatometer.
Why It Might Not Do Well: As with Be Kind, Rewind, the small release will keep this one from doing huge numbers.
Number of Theaters: 1,000
Prediction: $5 million

Continue reading Box Office: Vantage of the Witless

Trailer Park: I See What They're Doing Here



How many times has a film come out and you found yourself saying, "what were they thinking?" This week we're looking at trailers where Hollywood's logic is fairly apparent.

Hancock
As of January 2, I Am Legend has pulled in $209.5 million, so the decision to release this teaser trailer now for Will Smith's Hancock shows some pretty sound reasoning. Smith plays a superhero whose hard living ways have caused the public to lose faith in him. The bit were he drunkenly attempts to save a beached whale is definitely a highlight, and the presence of Jason Bateman as Hancock's PR guy shows promise. Always hard to tell from just a teaser, but I'm looking forward to this one. Jessica mentioned the poster for this one a few days ago.

The Bank Job
While it wasn't my cup of tea, you can't deny the earning power of Ocean's 11 through 13, so you can see why the caper film would seem like a good idea. Jason Statham stars in this bank heist tale based on an actual robbery that took place in England in the early 1970s. The heist goes off successfully, but along with the loot the thieves make off with some incriminating photos linking the royal family to a sex scandal. The trailer moves at a break neck pace and the film looks like it should have box office appeal, although personally I've never been a fan of Statham's work.

Continue reading Trailer Park: I See What They're Doing Here

Jenny McCarthy Is 'Witless'

Yes, apparently Jenny McCarthy is still around (remember when she was, like, the hottest thing going on MTV's Singled Out?) And, apparently, dating Jim Carrey doesn't help much when it comes to landing the big big-screen roles -- I mean, I assume one still has to posses a tiny bit of talent. (Here's where all you rabid Jenny McCarthy supporters get to climb out from under that rock and call me names for insulting your beloved.) In case you at home are still interested in following McCarthy's fascinating on-screen career, the girl has just signed on to star opposite Larry the Cable Guy (moving up in the world, huh?) in Witless Protection, a new comedy we told you about the other day.

In the pic, which is being directed by Charles Carner from his own script, McCarthy will play girlfriend to Larry's character; a small-town sheriff who witnesses what he believes is a woman being abducted, but later finds out that her abductors are really FBI agents assigned to protect her and deliver her to some big Enron-type trial to testify. Only, these FBI guys aren't exactly playing by the rules. Yup, they're corrupt. And they're up to no good. Which means Larry the Cable Guy will have to put down the Budweiser, figure out what the hell is going on and -- you guessed it -- Git-R-Done (which, in Larry language, means "save the day"). Also starring in the film are Ivana Milicevic, Yaphet Kotto, Peter Stormare, Joe Mantegna and Eric Roberts. Production is set to begin next month in Chicago. Oh, and in case you're just itching for some more McCarthy, she can next be seen in the film Wieners (about three guys who drive cross country in a wiener-mobile), which I imagine will hit DVD shelves sometime this year.

Larry the Witness Protection Guy

So far, Larry's (Dan Whitney) been the cable guy, the military guy, that blue collar comedy guy and, to some (like me), a guy that's just not very funny. But screw what I think, apparently his shtick is popular enough that it warrants a number of crappy films -- in fact, the Hollywood Reporter tells us he's just signed on to one more. Git-R-Done! This time, he'll be Larry the Witness Protection Guy in a flick called -- wait for it -- Witless Protection. Because, see, he's a moron and he'll have to protect someone. Parallel Entertainment Pictures is financing and producing after doing so on the last two Larry-related pics; Lionsgate will distribute.

Charles Carner will direct off his own script, which follows a small-town sheriff who witnesses what he thinks is a kidnapping, though it actually turns out to be FBI agents assigned to protect a girl and deliver her to an Enron-type corruption trial. Of course, the FBI guys are eventually outed as the bad guys and, well, Larry (or whoever he's playing this time) will have to Git-R-Done! Also starring are Ivana Milcevic, Yaphet Kotto, Peter Stormare, Joe Mantegna (trying to make rent, Joe?) and Eric Roberts. Production begins next month, and I'm sure we'll get to watch this puppy shoot straight to number one at the box office next year.

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