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Watch enough movies and you learn pretty fast that they aren't about reality, they're about entertaining us. Which sometimes makes the world of the biopic a little tricky, because not only do you have to work in the truth, but you still have to keep those butts in the seats -- and the results are not always good. Over at Moviefone they've compiled some of the worst movie biopics, and no one was safe -- with films earning a spot for mixing up their facts, ridiculous casting, or just downright lazy filmmaking.

So who made the list? Well, you've got your usual suspects like Oliver Stone's Alexander, a film that has so much wrong with it I don't know where to put the blame (oh, that's right, on everyone). Other films that made the cut for the less than flattering title of 'Real Life Catastrophes' were Kevin Spacey's Bobby Darin flick, Beyond The Sea, Luc Besson's The Messenger, and Alan Parker's Evita. But don't think the classics made it out unscathed either, because both Captain Eddie and The Babe Ruth Story also earned a mention.

As a genre, I love biopics -- especially the bad ones. I've watched everything from made-for-TV movies on The Beach Boys to high art flicks like I'm Not There. So no matter what kind of biopic it might be, I will usually give it a chance. Over the years, I've seen movies that bend the truth and those that just mess it up entirely, but that doesn't mean I didn't enjoy them. Besides, if you're looking for unadulterated facts, you should probably head to the library and not the multiplex.

After the jump: five of my favorite movie biopics...

We've already explored the history of 2012 here on Cinematical and what you need to know to see the movie (hint: the world might blow up!), but here's what 2012 stars John Cusack, Chiwetel Ejiofor, Thandie Newton, and Woody Harrelson and director Roland Emmerich have to say about the end of the world. Do they believe the world will end with a whimper or a bang, T. S. Eliot-style? Will we go out in fire or in ice? Do they even believe the world will end in 2012? Let's find out.

Roland Emmerich: It's always great if you find some sort of belief people have and put it in your movies, as fantastic as they may be. For example, Independence Day, I used Area 51 and centered my whole story around Area 51 because I found out in my research that people really believed in it. And in this movie, as we discovered the phenomenon of 2012, because some culture, the Mayas, gave the end of the world a date. An exact date. The 21st of December, 2012. And that's just so incredible and so interesting that a lot of people are fascinated by it and there's believers; there's people like you [who] just find it fascinating. I hope it will not happen. But when you research it a little bit deeper, you kind of find a lot of other cultures [that] believe the same thing. They only don't put an exact date to it, but they have other predictions which all point to 2012. It's quite eerie...

The Messenger opened the 12th Savannah Film Festival with a bang: a sellout crowd, international press, and Hollywood stars Woody Harrelson and Ben Foster in attendance to rub elbows all night. Even without the glitz, though, Savannah was a smart place to screen the Iraq drama. Oren Moverman's film is a character study about a soldier (Foster) dealing with the aftermath of war, but like Kathryn Bigelow's Iraq film The Hurt Locker, it's about the personal toll Iraq leaves on soldiers who survive and the families of those who don't; the politics of war are hardly an issue. And so, in a city that supports two military bases and the men and women who serve them, The Messenger played like gangbusters.

Foster stars as William Montgomery, a recent Iraq returnee dealing with serious leftover issues and a new assignment to play out his final three months of service: informing families that their loved ones have been killed on duty. As Montgomery's partner, Harrelson provides moments of levity, but there were plenty of sniffles throughout the film just the same.

While it was pretty easy to figure out what the general consensus was, there were three figures in particular I was watching for a reaction – the only three uniformed soldiers in attendance, who may or may not have been connected to the production. (The film has been screened for military personnel, and Harrelson and Foster personally met soldiers at Hunter Army Airfield prior to the night's screening.) When asked what military folk have thought of his film in the post-screening Q&A, director Moverman deferred to one of the officers in the audience to share his reaction with the crowd. What follows is the unnamed soldier's impromptu review of The Messenger.

Perhaps you've seen the ominous ads for Roland Emmerich's latest disaster film, 2012. Here you can see just one example of Sony's viral campaign, which I spotted outside of my apartment building a few months ago. The Mayans warned us? Why is the URL at the bottom ThisIsTheEnd.com? Enter that into your browser, and you'll find a site "run" by one of the characters in the movie who believe the world will end in 2012, which is just what seems to be happening in Emmerich's upcoming blow-'em'-up. (Incidentally, the website looks pretty much like lots of the real 2012 websites and books out there.)

But what is 2012? Why do people – lots of people, in fact – think the world is going to end on December 21, 2012? It's a fairly popular conspiracy theory, as these things go, right up there with Nostradamus. (And definitely more popular than the guy who believes the world is run by lizard people.) Back it up and let's take an all-too-brief look at the Mayan civilization and religion and why the date 12/21/2012 has got some people nervous.

Who Were the Mayans?

The Mayans were a technologically advanced Mesoamerican culture that lived in the Yucatan Peninsula and parts of Central America. The Mayans truly flourished in the Classic period, which was around 600 years between AD 300 to AD 900. During that time, the Mayans developed a more complex social order, as well as city-states with prosperous trade. There were also plenty of impressive palaces, pyramids, and ceremonial structures, but perhaps the most significant aspect of the Mayan civilization is their discoveries about science and astronomy, which led them to develop a sophisticated series of calendars. One of those calendars just so happens to end on December 21, 2012.

In the last several weeks, "Shelf Life" columns have examined venerated films from different genres or filmographies that were tangentially if not directly related to the week's new releases: Carrie in anticipation of Jennifer's Body, Dawn of the Dead before Zombieland, and so on. This week, we're looking ahead at a future Blu-ray release, next week's Natural Born Killers, because, quite frankly, who's seen this thing in the last decade?

That of course isn't to say it's not still an incendiary classic, but in retrospect, Oliver Stone's treatise on media savagery feels like both a product of its time and a random blitz of imagery that has since dulled our perceptions of (and reactions to) the film's overall effect. But then again, it just might have been ahead of its time, or maybe just a misunderstood romance, or some other unholy beast that looks a lot different 15 years after it debuted in theaters. As such, Stone's Natural Born Killers is the subject of this week's "Shelf Life."

I was surprised at the number of people who proved willing to venture out to the limited-run Toy Story 3-D double feature. The attraction raked in $12.5 million on under 2,000 screens, a feat made even more impressive by the double feature aspect, which obviously reduced the number of available showtimes. Whether the success of the rerelease was due to the love for the films or the current obsession with 3-D isn't clear -- though of course the most likely answer is "some combination of the two." (Certainly a plain vanilla double feature rerelease wouldn't have put up these numbers, but would it have flopped?)

The weekend's top spot, though, went to Zombieland, the un-star-studded but well-marketed and well-reviewed horror comedy. If it does not sink in the coming weeks, it could turn into one of the fall's biggest success stories. I wonder, too, what it will do for the cachet of Jesse Eisenberg; unless you count his very minor turn in The Village, Zombieland is by far the biggest box office triumph in which he's taken part. The busy, hyperintelligent actor hasn't seemed too celebrity-minded, but his stock seems to be steadily rising.

More and the full top 10 after the jump.

By William Goss, reprinted from Fantastic Fest 9/29/09

The world as we know it has come to an end, and that's not much more of an inconvenience for Columbus (Jesse Eisenberg) than he was already used to. He's a Mountain Dew-chugging loser whose introverted ways have turned him into an ideal loner for the post-apocalyptic realm -- as paranoid, vigilante and neurotic as they come, beholden only to his own strict set of rules (cardio good, bathrooms bad, always shoot zombies twice, etc.).

And so, while he doesn't want to become attached to the scruffy likes of Tallahassee (Woody Harrelson), their chance meeting provides as good an excuse as any for Columbus to try and recover whatever's left of his family in... well, Columbus. Oh, the names? Again, no one wants to get too attached once the infection hits the fan. That's just how one tends to roll as a resident of Zombieland.

Click image below to view full poster

Cinematical has just received this exclusive poster for The Messenger -- scribe Oren Moverman's directorial debut starring Ben Foster, Woody Harrelson, Samantha Morton, and Jena Malone. What a jolt, eh? The dark and stern look in Harrelson's eyes is a far cry from all the zombie fighting we've been watching him tackle lately, and this is also a decidedly more adult role for Foster (who you might remember from 30 Days of Night and X3).

Yes, this is a new Iraq War drama, but between the talent involved and the fact that this comes from the pen behind Jesus' Son and I'm Not There, this should make for a bold, brave journey -- one said to be quite the emotional rollercoaster ride. Jessica Barnes first posted about the film back in February of 2008 when Foster signed on, and Morton and Harrelson signed on soon after. The Messenger premiered at Sundance earlier this year to some very positive buzz (especially for Harrelson and Foster), and is slated for release on November 13.

Check out the poster by clicking the image below and the synopsis after the jump.

On Friday night, I headed over to the Paramount Theatre in Austin for the Fantastic Fest premiere of the horror/comedy (mostly comedy) film Zombieland. I arrived on the scene to wonder if I wasn't in a zombieland myself -- the area around the front of the theater was swarmed with the undead. A trailer was set up near the theater where anyone could get made up to look like a zombie, and lots of people volunteered. I saw a zombie bridal couple, a zombie nun and fittingly for this movie, a zombie clown. Some of the more professionally made-up zombies even lurched onto the red carpet briefly.
Before the zombies could be shooed away entirely, Zombieland co-star Woody Harrelson showed up. You can see his reaction to his red carpet-mates in the above photo. The zombies headed elsewhere and Harrelson was joined by other stars from the film, Jesse Eisenberg and Emma Stone, as well as director Ruben Fleischer. The 1200-seat theater was packed with a lively audience, who applauded nearly every reference to Texas and seemed to enjoy the film very much.

Check out our Zombieland photo gallery from the evening for more photos of the red-carpet celebrities as well as the undead.