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world trade center Tagged Articles at Cinematical

9/11 Conspiracy Movie to Open on 9/11

Filed under: Independent », Thrillers », Celebrities and Controversy », Distribution », Cinematical Indie »

How will you spend the 7th anniversary of the September 11th terrorist attacks? Here's an idea: head to NYC's Two Boots Pioneer Theater for the opening night screening of Able Danger, an acclaimed independent film based around the conspiracy theory that U.S. intelligence was involved in the planning and execution of the tragic events on the morning of that infamous date. Even if you think the idea of a 9/11 conspiracy is ludicrous and in poor taste, the premiere screening should be interesting, because writer-director Paul Krik will be on hand for a Q&A. And this is the sort of city where people will likely show up for a debate. Of course, while subsequent screenings throughout the film's one-week engagement won't be attended by Krik, there could still be some engaging conversation to be had with fellow audience members. So if you can't make the initial showing, don't worry about missing out on all the fun.

The film, which stars Elina Löwensohn (Nadja) and Adam Nee, is a fictional thriller (Variety labels it a mix between The Maltese Falcon and Kiss Me Deadly) about a couple of 9/11 "truthers" attempting to expose the conspiracy using a hard-drive filled with data thought to be destroyed by a real classified government program named Able Danger. It had its world premiere back in January at the International Film Festival Rotterdam and has since screened at the Cannes Film Market (aka the Marche du Film) and opened the Brooklyn International Film Festival, where it won a special award of excellence. For more on the film, check out the website, where you can use a plane-shaped cursor to click on explosive links located on a graphic of the World Trade Center (classy!). You can also watch the film's trailer below, after the jump.

Tribeca Review: Man on Wire

Filed under: Documentary », Tribeca », Magnolia », Theatrical Reviews », Festival Reports »



I couldn't get to any of the press screenings for Man on Wire, so I decided to get on a Rush Ticket line and (gasp!) actually pay to get into a public screening. I was third on line, and I thought I was in good shape. I mean, it was 4:45 on a Tuesday; who was going to see a documentary about the guy who walked a tightrope between the Twin Towers almost thirty-five years ago?

Turns out that people in New York aren't as busy as you think, since the screening was packed to capacity. But they were in for a good show, as this documentary combined archival footage, interviews, and appropriately cheesy reenactments to tell the story of how in 1974, Philippe Petit, a French juggler and tightrope walker, managed to sneak a crew and a bunch of equipment to the top of the World Trade Center, extend a tightrope between towers, and walk across without a net.

Pakistani Pop Singer Backs Out of Bollywood's 'Osama'

Filed under: Drama », Foreign Language », Independent », Romance », Celebrities and Controversy », Politics »

It's time for yet another story about people taking cinema way too seriously. Fortunately, most stories don't have disastrous results, but sometimes the fiery words lead to a scary reality, like the murder of filmmaker Theo van Gogh. Pakistani pop singer Ali Haider isn't willing to take that chance. The BBC reports that he has backed out of the lead role in an upcoming Bollywood film called Osama after being threatened over his potential involvement.

Not about the infamous Bin Laden directly, the film will follow a Kashmir boy named Osama who is at the World Trade Center during the 9/11 attacks. Haider says that the film was a love story that he hoped would change the image of Pakistani people: "It was to show the world the other side of the coin. I felt it was my responsibility as a Muslim. But I have to look after a family of which I am the sole bread-winner."

In November, he started getting threats over the phone (up to 10 a day), and said that those dealing the threats knew "everything about my movements; when I am at the jogging track, or when I am in the gym." After the assassination of Benazir Bhutto, he wondered what would happen to someone like him, and pulled out of the role -- a decision he says cost him $160,000. There is no word yet on who will replace him in the film.

Maggie Gyllenhaal Talks 'Dark Knight,' Difficult Directors and Filming Sex Scenes

Filed under: Critical Thought », Celebrities and Controversy », Newsstand »

Any Guardian sit-down worth its salt has to include a not-so subtle evaluation of the star's interview habits, and this new one with Maggie Gyllenhaal is no exception. "She sits directly opposite me, her feet planted firmly on the floor," the interviewer tells us. "She asks for a camomile tea and coolly, in a tone that brooks no argument, requests that the assembled public relations people leave the room while we conduct the interview." After this evaluation, it's off to the races, with Gyllenhaal delving into everything from her trepidation about doing Secretary -- "in the wrong hands, in even slightly the wrong hands, even in just slightly less intelligent hands, this movie could say something really weird" -- to everything that went into her performance in Sherrybaby. She's especially frank when it comes to the movie's sex scenes. "I find those scenes hard to watch," she says. "But when I was making them, I was thinking how Sherry would be thinking: I've been in prison for three years, I want to c*me."

Gyllenhaal also owns up to some tussles with directors over the years, but she's too polite to name names. When asked about what her most difficult acting experience has been so far, she replies that she once "realized very early on in a shoot that I was at odds with the director, and I had to go through the whole shoot trying to figure out how to stay alive as an actress, when I was being squashed by the director." For the record, it wasn't Oliver Stone -- she says that she loved working with him, and describes him as being "nuts, but totally inspiring." As for the movie she's shooting right now, The Dark Knight, Gyllenhaal has nothing but praise for how she's being treated. "Doing Batman has shocked me at every turn. When I started, I thought 'Well, it's a huge movie, I'll just do my best to put what I can into it. But, in fact, they've been really hungry for my ideas, for my views. It's great! They've been asking for more!"

'World Trade Center' Scribe Writing Soccer Movie

Filed under: Drama », Sports », Universal »

There was a huge bidding war in Hollywood earlier this year for the rights to Warren St. John's New York Times article about the Fugees, a youth soccer club in Georgia comprised of international refugees. Universal ended up acquiring the rights, and now the studio is about to hire a screenwriter: Andrea Berloff, best known for penning Oliver Stone's World Trade Center. The screenwriter is also attached to the upcoming Don't Look Now remake for Paramount; considering St. John is currently working on a whole book about the Fugees, Berloff will likely end up finishing the remake before tackling the soccer movie so that she has more to work from.

The script will primarily focus on Jordan-born Luma Mufleh, the soccer club's founder and coach. She gathered the children of Clarkston, Georgia, who mostly come from war-torn countries like Iraq, Sudan, Afghanistan, Bosnia, Congo, Kosovo, Burundi, Liberia, Cambia and Somalia, and she has been met with a number of adversities since doing so. Last summer the mayor of Clarkston, which is estimated to be half-populated with immigrants, banned soccer in the town park. She was able to get him to agree to a trial period for the club's use of the land. In October, she was arrested for a suspended license on the way to an away game, with her team having to go on and play without her guidance. Eventually the Fugees played a championship game against an elite and wealthy Atlanta club.

All the events written about by St. John are perfect for yet another inspirational sports movie, especially one dealing with current world events. But because of the huge amount paid by Universal -- the highest ever for a Times article, mostly because a lot of the money is going to the club -- the producers (Scott Stuber, Mary Parent, Frank Marshall and Kathleen Kennedy) will really have to work hard in order to make this appear distinct and fresh. I'm anxious to see who the studio hires to play Mufleh, since it should probably be someone with a decent box office draw. Unfortunately, I can't think of any young stars who even slightly resemble her (see a photo here, and see if you can think of one).

Oliver Stone May Return to Vietnam With 'Pinkville'

Filed under: Drama », Casting », Deals », War », Paramount Vantage »

Back in October we learned that Oliver Stone's next film would be Jawbreaker, another 9/11-related project based on the book by ex-CIA Gary Bernstein. It seemed to make sense at the time, because Stone had just released the 9/11-based World Trade Center. Jawbreaker is likely still going to happen, but there is now another project that the director is possibly taking on first. According to Latino Review, Paramount Vantage has picked up Pinkville (aka "One Day in March"), which will be Stone's return to a subject he knows very well: Vietnam. The studio had been in a bidding war with UA, but Paramount, which handled production on World Trade Center and is also handling Jawbreaker, won out.

The pic, which may star Sean Penn and Channing Tatum, is set around the events of the My Lai Massacre. On March 16, 1968, more than 500 Vietnamese (or 367, depending on the source), including unarmed women, children and elderly, were slaughtered by American soldiers who were given a "search and destroy" order. The horrible mission was eventually reported to the American public in November of 1969, and the news led to increased outrage concerning the Vietnam War. Stone already used the massacre as inspiration for a major scene in Platoon, but apparently he feels there's still more to say, and specifically to say, about the events.

Pinkville, if it happens, will mark Stone's fourth film to directly deal with the Vietnam War (if you don't count his student film, Last Year in Viet Nam, or a less-direct film like Nixon), following the "trilogy" of Platoon, Born on the Fourth of July and Heaven & Earth. It should be a welcome return for the filmmaker, as he is, at least to me, associated with Vietnam (and the '60s and conspiracy theories) in the way that Woody Allen and Scorsese are associated with New York. Plus, the subject matter can now be made to have a different relevance -- both Penn, who starred in the Vietnam film Casualties of War, and Stone are probably interested in displaying parallels between that war and the current war in Iraq.

Erik's Top Ten Trailers of 2006

Filed under: Action », Comedy », Drama », Independent », Sci-Fi & Fantasy », Fandom », Trailer Trash », Movie Marketing », Comic/Superhero/Geek », Remakes and Sequels », Best/Worst », Cinematical Indie »

I'm not a big fan of top ten lists. For the past couple weeks, a slew of people have bothered me for my top ten films of the year -- a list I've never felt comfortable putting together, regardless of what year we're in. The thing is, I cannot for the life of me throw together such a list when I haven't seen most of the films that probably would have made the list had I managed to catch a screening. Thus, I'd have to call it something like, "The Top Ten Films Erik Watched in 2006 ... But Keep in Mind He Hasn't Seen (insert a good ten titles here)." Now, how much fun would a list like that be?

However, movie trailers are a whole different animal. I don't have to see a film to judge a trailer, and the previews for pretty much every film released in 2006 (as well as a ton to be released in 2007) are available online for me to watch. But how does one go about picking the top ten trailers of the year? Well, first off, your opinion should be based solely on the trailer, and not the film (if you happened to have seen it). And, when you watch the trailer, you should ask yourself two questions: 1) How much does this trailer make you want to see the film and 2) How badly do you want to show this trailer to everyone you know? If the answer to both those questions is, "Holy crap, you have no idea how much I want to see that film, and I definitely need to show my friends this trailer right now!" -- congrats, it's most likely in your top ten.

Fact vs Fiction. Which do you prefer?

Filed under: Scripts », DIY/Filmmaking », Columns »

Do you prefer fact to fiction or fiction to fact? I think it's inevitable after watching any film based on real life individuals or happenings that you may find yourself fact checking choices made by the filmmakers. Did Johnny Cash really ask June Carter to marry him on stage like in Walk the Line? Yes, he did. But what if he didn't? Would you be annoyed or angry by the writer, director, and actor's choice to make the story more whimsical?

Variety did a little fact checking of their own on this year's films with notable historical references. The article rated films such as Catch a Fire, Pursuit of Happyness and The Last King of Scotland according to their historical relevance and gave a little synopsis of the filmmaker's "spin" on the story.

Almost all the films had a high rating according to factual validity although none scored a perfect ten. Why all the twisting of the truth to make an already good story better? Well first of all, most stories do not come with that tried and true "Hollywood Ending" that viewers love so much. A story, no matter how difficult it is throughout (Hotel Rwanda anybody?) ultimately needs to have an awe-inspiring ending -- leaving the audience member uplifted and with a sense of hope.

So which movies ranked the highest and the lowest? World Trade Center received a nine on the fact meter. The story is about two NYPD officers who survived after their extraordinary heroism following the attacks on 9/11. Writer Andrea Berloff had the upper hand though as she had direct accounts from the real life survivors; whereas Sofia Coppola couldn't have a word with Marie Antoinette. If she had a dialogue with the late queen she may have found out that Manolo Blahniks were not yet available at street markets and New Order wouldn't be arriving on the scene for a couple hundred more years -- but that doesn't mean the film is any less fun.

I say, write it well, direct it well, perform it well and then maybe I won't even care if it's fact or fiction.

Tips for Tuesday: New to DVD on 12/12

Filed under: New on DVD », Home Entertainment »

Barnyard: The Original Party Animals -- Only worth renting if your kids have already seen The Ant Bully, Flushed Away, Happy Feet, Ice Age 2, Open Season, Over the Hedge and The Wild. (At least three times apiece.) Plot: A bunch of cows do silly things in a barnyard. Extras include filmmaker commentary, four featurettes, seven deleted scenes, two music videos, etc.

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe
-- You know how New Line released those really nifty "extended edition" DVDs for The Lord of the Rings? Yeah, well Disney liked that idea so here comes the mega-huge Narnia release, complete with seven additional minutes of in-movie footage, three lengthy audio commentaries, and two full discs over-stuffed with lions and witches and wardrobes, oh my.

The Devil Wears Prada -- The chick-flick version of Hostel. Anne Hathaway plays a "fat girl" who allows herself to be abused by the evil boss Meryl Streep just long enough to earn an oh-so-important life lesson. Extras include a filmmaker commentary, four featurettes, a bunch of deleted scenes and other random trinkets.

Material Girls -- One of the worst studio releases of the past 15 years. Stunningly bad. Highly recommended, however, if you happen to be a member of the Duff family. Anyone who can make it more than 15 minutes into Martha Coolidge's audio commentary has the fortitude of an Egyptian pyramid-builder. Featurettes and music videos are also included.

Talladega Nights: The Ballad of Ricky Bobby
-- Will Ferrell brings his patented brand of stream-of-consciousness goofiness to the easy-target world of NASCAR, and the result is a movie just as funny as we expected it to be. OK, so it's not Anchorman, but it's still packed with laughs. (Plus John C.Reilly, Sacha Baron Cohen and Amy Adams are actually allowed to steal a few scenes, with makes me think even more of Ferrell as a comedian.) Snag the unrated edition for extra footage and a truckload of commentaries, featurettes, deleted scenes, bloopers, promos and more assorted silliness.

World Trade Center -- The year's second 9/11 movie takes a decidedly different approach than its predecessor (United 93) and turns out to be one of Oliver Stone's more accessible projects. The horrible date is re-captured in chillingly realistic fashion, the performances are pretty great across the board, and the extra features (in the 2-disc commemorative edition) are as informative as they are entertaining. Fans of the film can pick through two separate audio commentaries and a second disc filled with mini-documentaries on the film, the survivors and the event itself.

Italy Wins Release-Window Battle

Filed under: Action », Foreign Language », New Releases », Universal », Box Office », Distribution », Exhibition », Home Entertainment », Remakes and Sequels », Cinematical Indie »

It's been awhile since we've seen the debate over release-windows. Maybe now that the Box Office Slump of '05 has long since past, and the issue with day-and-date releases has made the debate almost obsolete, theaters just aren't complaining as much. At least in America, anyway. Last week, distributors and exhibitors throughout Italy were furious about Universal's plan to release Miami Vice on DVD exactly two months after its release in cinemas there. The movie, based on the '80s TV-show, opened in the country on October 6 via United International Pictures and it was planned to be out on video December 6. The head of the Italian exhibitors' association ANEC threatened legislative intervention and Warner Village Cinemas actually stopped playing the pic.

All the protesting and boycotting helped. On Friday it was announced that Universal would change the DVD date to January, which would lengthen the window to the usually honored three months. Unfortunately, the win by distributors and exhibitors probably won't change the success of the movie at the box office. In its first four weeks, Miami Vice made only a little more than $4 million. Comparatively, in the same amount of time Woody Allen's Scoop made almost $5 million, World Trade Center has made $6.5 million and The Devil Wears Prada has made close to $15 million. And obviously, Miami Vice didn't even figure into the top 20 this past weekend thanks to it being pulled from so many screens. So, maybe, just maybe, Italians aren't that into the movie, and it wouldn't really matter if the DVD came out next week. Or, it could be the matter of it opening so late, since in countries like the UK and France, where it opened closer to its release in the U.S., grosses were pretty decent.

[via In Focus Magazine Newswire; box office numbers courtesy of Box Office Mojo]
 

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