Here in the dawn of the New Year, I'm still nursing my holiday hangover, so I'm going to finish up with my three-part Overlooked and Underrated series of columns, starting with Julian Jarrold's Becoming Jane, a fictitious biographical romance about Jane Austen (Anne Hathaway). It garnered unfavorable comparisons to Shakespeare in Love (1998), a film as dreadfully over-hyped as its cousin was under-hyped. (The hype meter must be perfectly balanced now.) James McAvoy -- currently receiving showers of awards attention for his involvement in Atonement (306 screens) -- plays the smoldering lover who titillates the educated and prickly Miss Austen. Unlike most brain-dead comedies in which the lovers are supposed to "fix" each other's shortcomings, these lovers are perfectly matched. Not to mention that Maggie Smith gives another one of her deliriously snooty performances.

I can't figure out why Richard Shepard's The Hunting Party failed, when it was just as energetic and funny as The Matador -- unless critics bristled at the film's political pokings. In this one, Richard Gere, Terrence Howard and Jesse Eisenberg make a wonderful team as three journalists (ranging from rookie to washed-up) who journey through Bosnia to find an infamous war criminal. Shepard's movie is constantly unexpected and alive, with three-dimensional characters you won't soon forget. Stick around for the whimsical closing credits, which explain the parts of the film that were "real."

Due to technical problems on our end, we're just getting around to posting the last round of video interviews from this year's Sundance Film Festival (you can check out the backlogue here), and this is one I've been looking forward to for a while. Goran Dukic's Wristcutters: A Love Story was, to my mind, one of the few real gems to come out of this year's Sundance. Which makes C.K. Sample's interview, with Dukic and the film's co-star, Shannyn Sossamon all the more ... uh ... interesting. I'm not sure if Dukic and Sossamon didn't realize they were on camera, or if they were just wiped out from the Sundance grind, but by the time Sossamon started rifling through her bag for lipgloss, a publicist definitely should have stepped in and wisked the talent away. Lucky for you, they didn't.

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Two things you can be sure to see at Sundance (well, besides rich celebrities loaded down with tons of free swag we mortals will never lay eyes on) are snow - lots of snow - and films. Lots of films. Over the next 11 days, each of us on the Cinematical Sundance team will be watching films until our eyeballs burn, and faithfully reporting on what we think about them, which films score the hottest buzz, and which ones have the biggest walkouts. I considered a couple ways of compiling this list, including choosing a film from each category, so as to cover a wide spectrum, and just randomly opening the film catalog with my eyes closed and pointing. Ultimately, though, although there are lots of films on my "want to see" list, these seven are the ones I'm really psyched about.

Come Early Morning - The directorial and writing debut by Chasing Amy's Joey Lauren Adams stars Ashley Judd as a woman in her 30s searching for love. The catalog description isn't terribly descriptive: Come Early Morning is about life transitions, the search for love, and the burdens we carry with us", which could describe pretty much anything from Brokeback Mountain to The Wedding Crashers, so I'm not really sure what to expect from this one. The film stars Ashley Judd, who can be a talented actress given the right material, with a supporting cast including Jeffrey Donovan, Tim Blake Nelson, Diane Ladd and Stacey Keach.

 (more after the jump)