yella Tagged Articles at Cinematical

Two new indie releases fared well, while two others struggled. Hailing from Norway, Reprise (Miramax) earned a very good $15,500 per-screen average at three theaters, according to estimates compiled by Leonard Klady at Movie City News. Our own James Rocchi gushed in his review: "Directed by Joachim Trier, Reprise is one of the most brilliant, heartfelt, exciting and exuberant feature film debuts in recent memory."

Mexican film Sangre de mi Sangre (AKA Padre Nuestro) (IFC Films) nestled into the #2 spot, earning $8,500 at one theater in Manhattan. The film follows two teenagers, one honest, one dishonest, trying to reach their disparate goals (reuniting with family, making money). Eric D. Snider noted: "The trouble is that the film is so bleak as to be almost hopeless ... Its grimness is not matched by its excellence."

Cinematical's Erik Davis raved about German director Christian Petzold's Yella (Cinema Guild) when he saw it at the Berlin film festival last year: "Like a drug, Yella slowly creeps on you long after the end credits roll, takes hold of your body and doesn't let go until you're convinced it was one of the best films this year's Berlinale had to offer." Opening at two theaters, the film made $3,450 per screen.

Despite good reviews (82% positive at Rotten Tomatoes), Georgina Garcia Riedel's How the Garcia Girls Spent Their Summer (Maya Releasing) failed to make an impact, opening at 84 theaters and marshaling just $1,040 per screen, per Mr. Klady's estimate.

Like a drug, Yella slowly creeps on you long after the end credits roll, takes hold of your body and doesn't let go until you're convinced it was one of the best films this year's Berlinale had to offer. Wicked in the way it plays mind games with the audience, director Christian Petzold (Ghosts) has confirmed he's definitely one to watch, creating a sharp and daring film that never unveils its true colors until the very last frame. And, even then, we're still not sure how all the pieces fit together -- overcome by the greatest feeling a moviegoer could ask for: the need to watch it again ... and again.

When we first meet Yella (Nina Hoss), she's walking a familiar route between the train station and her home. However, she's afraid of something, someone -- hiding behind her long brown hair, almost uncomfortable in the clothes she wears; in the person she's become. We soon discover she's being followed (a pervert, perhaps?), but it's revealed that the man in the truck is an ex-lover, someone Yella is desperate to allude. He's anxious to speak with her -- wavers between anger and sweetness -- but Yella will have none of it; her silence telling us all we need to know: that this guy is bad news.

The awards ceremony for the 57th Berlin International Film Festival have just concluded. The Golden Bear went to a film not many people talked about during the fest -- Tuya's Marriage. Below you will find my live blog of the actual show (which was mostly in German, with brief moments in English). Along with the winners in each category, you will find my personal thoughts below:

-- German band Mia opens the show. Charlotte Roche hosts, briefly introduces Berlinale director Peter Kosslick. His entire speech is in German -- sorry, could not translate that fast.

-- Gael Garcia Bernal is introduced and presents The Silver Bear award for outstanding artistic achievement, which goes to ... The Good Shepherd. There's your obligatory American award. Robert De Niro skipped town last week, and was not there to accept the award.

-- Next up, Nansun Shi presents the Silver Bear for best use of music in a film, which goes to David Mackenzie for Hallam Foe ... and for his extremely pop-centric soundtrack.

-- Hiam Abbass presents the Silver Bear for best actor in a film to Julio Chávez for El Otro. I can see why he won, but his performance was a little too vague for me.

-- Mario Adorf steps up to present the award for best actress and -- out of nowhere -- Nina Hoss wins for Yella! Wow, no one -- including Hoss -- saw that coming, as Marion Cotillard and Marianne Faithfull were huge front-runners. She's shocked. Big, big surprise. Yella was the best film, but Cotillard should have won the best actress.

-- Molly Malene Stansgaard presents the best director award to Joseph Cedar for Beaufort. I did not see Beaufort, but from what I heard it was beautifully shot. I guess we knew Petzold was not winning when Hoss took best actress. Oh well. So far all of my picks are wrong. Boo!

-- Willem Dafoe steps up to present the Silver Bear for Grand Jury Prix ... which goes to El Otro. Huh? Man, obviously the jury saw something in this film that a lot of us did not see, as this is the second award tonight for El Otro. Director Ariel Rotter takes forever to deliver his speech, just barely makes it through without breaking down on stage.

-- The somewhat odd German band Mia performs once more after opening the show.

-- Gerhard Meixner introduces the best first feature award. It takes three people to announce this award, which goes to Vanaja. Lots in German, trying to keep up ...

-- Javier Bardem steps up to present the Alfred-Bauer-Prize (in memory of the festival's founder) for particular innovation in filmmaking, which goes to ... I'm a Cyborg, But That's Okay. Hey, I loved this film -- this award is definitely okay with me. Park Chan-Wook accepts ... sorry, no idea what he's saying. All in German.

-- Writer-director Paul Schrader finally finds his way to the stage with fest director Peter Kosslick to present The Golden Bear! And the award (after a terribly long intro) goes to ... Tuya's Marriage. Hmm, very interesting choice ... and a film not many people talked about during the festival. Figures, one of the three I did not see ...

The main awards for the 57th Berlin International Film Festival will be given out tonight during a ceremony at the Berlinale Palast. I will attempt to watch the ceremony on television here (sorting through the language barrier) and let you know who won as soon as possible. In the meantime, here are my picks to win the major awards, as well as who I think should win:

Golden Bear: Audience favs were Irina Palm and Hallam Foe, so I would not be surprised if one of those two films took home the prize. Press I've spoken with fell in love with Yella, and The Counterfeiters slid its way into many conversations toward the latter part of the week. Lost in Beijing would be the surprise underdog win, but don't count out I Served the King of England which also picked up steam in these last few days. Pick to win: Irina Palm. Who should win: Yella

Best Director: Though, overall, it wasn't a dazzling year for films in competition, the one thing they all shared was some fabulous directing. However, we're in Germany, and since I do not think Yella will win the Golden Bear, director Christian Petzold will most likely be given a best director award instead. Pick to win: Christian Petzold. Who should win: Christian Petzold.

Best Actress: By far, this is the toughest category to sort through, as there are plenty of top-notch performances to choose from. The way I see it, this category comes down to four women: Marion Cotillard (La Vie en rose), Marianne Faithfull (Irina Palm), Ramola Garai (Angel) and Fan Bingbing (Lost in Beijing). Cotillard was the early favorite, but Faithfull's performance in Irina Palm as the widowed grandmother working in a sex shop took center stage once that film premiered. Still, there's no denying Cotillard is the true winner here ... even if it does feel like La Vie en rose first screened for press decades ago. Pick to win: Marion Cotillard. Who should win: Marion Cotillard.

Best Actor: A harder category to pick; no real stand-out performances could be found (by me, at least) this year. Lots were raving over young Jamie Bell's extremely Sundance-ish role in Hallam Foe, though I personally was blown away by the performances from both male leads (Tony Dawei, Tony Leung) in Lost in Beijing. Pick to win: Jamie Bell. Who should win: Tony Dawei.

If there's one thing the films here in Berlin have in common (at least with most of the flicks I've watched) it is sex ... and lots of it. Just today, both films (Hallum Foe and Lost in Beijing) I saw had some pretty intense -- and well justified -- sex scenes. Yesterday, Bordertown included a steamy sex romp (you go J-Lo!), and the day before both 300 and Yella tossed in some between-the-sheets action. But I must say, out of all this sex, none of it is gratuitous.

The award for the strangest sex has to go to Hallum Foe, which features Jamie Bell (Billy Elliot) as a teenager obsessed with the recent suicide of his mother. He's collected his mother's old make-up, her old dresses, her old passport and, when he leaves home (after having sex with his stepmother!), he begins following a woman who looks just like his mother. And yes, they have sex. And yes, she digs the whole warped thing. On the flip side, Lost in Beijing (whose tagline should read: Who's Screwing Who?) featured a number of sexual trysts, all of which had a different purpose and meaning. And yes, the film (which Chinese censors threatened to chop up) was screened uncut. Lots of films. Lots of sex. Lots of stories to be told.

With that said, above you will find my final (and favorite) video diary from here at the 57th Berlin International Film Festival. In this installment, I sit down with David Hudson (GreenCine Daily), Andrew Grant (Filmbrain) and Aaron Hillis (Cinephiliac) to discuss the second half of the Berlinale, which films truly shined (Yella) and which failed to hit the mark (300). Stay tuned to Cinematical, as I have a lot of reviews to catch up on and will be posting them throughout the weekend and into next week.

(Note: Video may take a little while to load. But hang tough, it's a fun one!)

It's official. Berlinale has announced the six contenders in their film competition. Those in the running include some Berlin favorites as well as American repeats. Here is the list of nominees:

• The Good German -- which has received mixed reviews in America -- is directed by Steven Soderbergh and stars George Clooney (a Berlinale regular), Cate Blanchett, and Tobey Maguire. The film takes place in a post war Berlin where an investigative reporter finds himself in the center of a murder mystery. The controversy continues when unexpected people from his past become inconveniently intertwined.

• The Good Shepherd is an interesting pick to say the least. Robert DeNiro both stars in and directs a film that has yet to receive any noteworthy appreciation. Matt Damon (not my favorite) and Angelina Jolie (strangely miscast) play a couple who is ultimately torn apart by Damon's occupation with the CIA. It also takes place in the 1930s; maybe Berlinale is dwelling in this era a bit this year?

• German director Christian Petzold will be showing his second Berlinale nominated film Yella. The storyline profiles a woman who wishes to escape a life that refuses to stop following her no matter where she relocates.

• Irina Palm starring Marianne Faithful is the second film made by Belgian director Sam Garbarski. Faithful plays a struggling widow who takes a sex position in order to survive.

• Goodbye Bafana is an intriguing true-life story about the prison guard who protected Nelson Mandela during his internment. Billie August directs as Joseph Fiennes plays James Gregory, the prison guard.

• Last but not least is a film from South Korean director Chan-wook Park. I Am A Cyborg But That's Ok tells the story of a woman living in a psychiatric hospital who believes she is a cyborg (this may be about me soon due to my recent obsession with Battlestar Gallactica). During her stay she falls in love with a man suffering from mental ailments of his own.