zombie Tagged Articles at Cinematical

Despite having previously established my feelings about this weekend's Quarantine, I must confess a new willingness to give it a fair shot later tonight. Regardless, this week's Cinematical Seven is all about first-person horror movies, with a couple of oh-so-subjective stipulations:

• We're leaving The Blair Witch Project (1999) out of this. It might not have been the first of these movies, but it was undeniably the most successful and influential. There are only seven slots here, and I feel like everyone has already made clear whether they find this scary or just stupid (I fall in the former grouping, though I say this having not seen the flick since my teens). If you still feel the need to take BWP to task, comment away.
• Also omitted will be The Last Broadcast (1998), which drew mild controversy at the time of its release for its similarity to Blair Witch. I'm only not writing about it because the copy of it sitting just over on my shelf here has remained unwatched. My bad.
• The previous film by the guys behind Quarantine is The Poughkeepsie Tapes (2007), which -- being in the hands of the Weinsteins -- has not yet seen the light of day beyond a couple of festivals. Having not attended any of said festivals myself, I'll just sit here and guess that it'll get dumped to DVD (probably under the Dimension Extreme label), and not any earlier than next year at that.

Now, on with the list...

In case you haven't enjoyed enough movies about zombies and the undead lately, Diary of the Dead supplies you with yet another opportunity. However, this low-budget film is from the guy who first introduced most of America to the horrors of the walking dead: George A. Romero, who made Night of the Living Dead back in 1968. (So the zombie genre is the same age I am. Cool!)

Diary of the Dead isn't a sequel to the other movies in Romero's Dead series, but it does tend to assume that you know Romero's standard operating rules about zombies. If a zombie bites you or if you die in any way, that's it for you -- you're undead. The undead are cannibalistic, and the only way to destroy them is to destroy their braaaaains. Unlike the other Dead movies, this one is shot as if it were a documentary -- a survivor has pieced together footage from the first night that the dead come back to life.

You know, sometimes it's like the universe wants to prove you wrong. No sooner did I make one little offhand comment that Zack Snyder had probably abandoned his follow-up to Dawn of The Dead when his wife and producing partner, Deborah Snyder, tells Shock Till You Drop that Army of the Dead is alive and well (sorry, I couldn't resist). The script was written by Snyder and Awake's Joby Harold. Deborah Snyder summed up the story to Shock as follows: "Basically, something happened in Vegas and there was this huge outbreak of these zombies that were killing people...So to contain it they basically contain Vegas. The city is this wasteland with walls around it and all of these zombies are inside" -- and it could just be me, but that sounds awfully similar to Resident Evil: Extinction.

As we all know, Zack Snyder is hard at work on his big-screen version of Watchmen, and he will only produce the 'sequel' to his 2004 remake of George Romero's zombie classic. Deborah Snyder tells Shock that they are currently on the hunt for a director for the project, but that it is "...a little hard [to do] because we're here [on set] and every day is killer. We want the right person for it. The script has been turned in to the studio and they're really happy with it, with pretty minimal notes back, so they said, 'Hey, let's get a director.'" As soon as they do find their director, we'll be here to let you know who it is. Any ideas?

[via Justpressplay.net]

Zombies appeared in movies early on, in White Zombie (1932), I Walked with a Zombie (1943), The Last Man on Earth (1964), and -- to some extent -- Ed Wood's Plan 9 from Outer Space (1959). But the infectious, flesh-eating, undead creatures we know today originated in George A. Romero's Night of the Living Dead (1968). No other horror movie was such a cornerstone, breaking new ground for its time, establishing the hard and fast rules for an entire subgenre and remaining a much-copied source nearly 40 years later. On top of all this, it's actually a great film, and hardly dated at all. When I first saw it, all alone in a dark room late at night, it gave me the shivers. But it also gave me food for thought.

Many have studied the complex relationship between the film's human characters, all trapped in an abandoned house trying to survive the night. Barbara (Judith O'Dea), after losing her brother to a zombie, becomes nearly catatonic. She's like the child of this twisted family. Ben (Duane Jones) is the leader, and though Romero apparently hadn't written the role for a black man, he evokes echoes of the Civil Rights movement that was brewing at the time. Harry Cooper (Karl Hardman) is white, middle-class America, with a wife, Helen (Marilyn Eastman) and a daughter (Kyra Schon). And Tom (Keith Wayne) and Judy (Judith Ridley) are typical teenagers, hoping to get married and settle down. It's easy to see all kinds of social commentary within this group of characters and their behavior, but even without all that, the film works very simply as a dramatic clash of personalities.

Stop me when this sounds familiar: A group of kids lie to their parents, hit the road for a night full of partying, and stumble across a nightmare of monumental proportions. Sounds like your typical B-grade horror movie, right? Absolutely. Hell's Ground is an unwaveringly derivative and preposterously gory little genre concoction that borrows a lot from the finest films of George Romero, Sam Raimi and Tobe Hooper while forging very little new ground of its own. But you know what? It's still a fun fright flick, even with all its obvious touchstones and blatant inspirations. Once the movie gets the character introductions and the requisite wheel-spinning out of the way, it's a pretty energetically good time.

It's Texas Chainsaw Massacre meets Dawn of the Dead, sorta ... oh, and it came from Pakistan. Did I not mention that part? Yep, a mega-splattery zombie-strewn slasher flick from Pakistan. Shot entirely in Islamibad by a bunch of young filmmakers who clearly grew up with the same horror flicks we did. So while you're being assaulted with ideas, characters and monsters that are clearly 'borrowed' from other sources, well, it's just quite the novelty to witness Pakistan's first gore movie.

What would it take to make a war movie extra special? How about zombified vampires? Yep, that's what you'll find in the cinematic adaptation of xxx's* graphic novel Virulents. According to Variety, director John Moore has been tapped by New Regency to turn the Virgin Comics release into a big gooey movie. By my estimation, John Moore has made two stylish and generally entertaining adventure flicks (Behind Enemy Lines and Flight of the Phoenix) and one resoundingly pointless Xerox of a genuine classic (The Omen). Still, two out of three isn't bad.

Here's a plot synopsis from the official Virgin Comics site: "A small platoon of American soldiers in search of their missing comrades comes across Indian commandoes looking for a group of terrorists suspected of hiding a most heinous weapon in the craggy breast of the Hindukush. It's a night of revelation as the Americans discove the fate of their lost brothers, and the Indiams discover the fate of their terrorists. But the terror is not in the form of flesh and blood, or bullets or gunpowder. Terror has a new name."

And that name is ... zombie vampires! Woohoo! So it's like a cross between Black Hawk Down, Dawn of the Dead and Near Dark? (Yeah, in my dreams it is.) Newcomer scribe John Cox has been given adaptation duties, and producer Gotham Chopra seems more than a little psyched about the project: The story is "set in a part of the world that has a long history of myth and mystery, and it's going to rock." So there you have it: It's set in Afghanistan. It's got soldiers and terrorists and zombo-vamps. It's going to rock. I'm officially psyched to see Virulents.

* Neither the Variety article nor the official Virgin site can tell me who wrote / drew the Virulents book. I'd dig a little deeper and find out for sure, but I think it's pretty weird so I choose to let it just hang there for now.

I know my horror movies pretty well, and I know my grade-z schlock, but even I had never heard of Zombie Bloodbath, let alone its two sequels. All three films are ultra gory shot-on-video zombie films written and directed by Todd Sheets, and the trilogy will be available on June 12 in a two DVD set from Camp Motion Pictures. Although hailing mostly from the 1990's these three films are right at home amongst Camp's Retro 80's Horror Collection, through which they've been resurrecting direct to video horror flicks from the early days of home video. Does the world really need three Zombie Bloodbaths? In a nutshell, no. While it was interesting to see Sheets' skill and style as a filmmaker evolve over the course of the three movies -- and he improves remarkably -- the films are too amateurish to be drawn into.

There has been no shortage of news coming out of the NYCC this past weekend (including from our very own Ryan Stewart). Now, IGN reports that Paramount and Brad Pitt's Plan B Productions are partnering to produce a film version of the novel World War Z: An Oral History of The Zombie War by Max Brooks (son of Mel). Brooks seems to have a flair for the subject of the "living challenged" as he also wrote the Zombie Survival Guide. Babylon 5 creator J. Michael Straczynski is adapting the book but there is no confirmation yet that Pitt will star, Straczynski kept it pretty non-committal saying the script was, "For Brad Pitt potentially -- we'll see what happens. He might be the star in it."

Adapting the book won't be easy, since the novel is an anthology of man's survival during the "great" war with the undead. The structure of the book has no main characters and jumps time and place with recollections of the survivors of the decade long fight. During a panel discussion, Straczynski described the story as "very political, very smart, very cagey". Straczynski seems confident that if all goes to plan with the script, production wouldn't be far behind. The project sounds promising, but considering Pitt's plate looks pretty full, I'm not counting on him getting in front of the cameras for this one.

This surprisingly fun romantic zombie farce from Tempe Video opens appropriately enough with quotes from Shakespeare's A Midsummer Night's Dream ("The course of true love never did run smooth") and from George Romero's Night of the Living Dead ("Shoot 'em in the head"). College professor Steve (played by director Brett Kelly) and his young girlfriend Amy (Caitlin Delaney) have decided to take the plunge and move in together, despite protests from Steve's friend Carl (played by screenwriter John Muggleton). Carl's status as a thirty-something man still living with his mom pretty much illustrates how much he knows about co-habitation, so Steve is soon helping Amy move into his apartment. Being a student of parapsychology, Amy brings along several books on witchcraft and magick ("magick is spelled with a 'c' and a 'k,'" observes Steve, "so it must be legit"). After the two of them profess to hoping to spend eternity together, Steve accidentally backs over Amy with his car, apparently killing her instantly.

Distraught and desperate, Steve forgets that he was scoffing at the notion of sorcery moments before, and finds himself poring over Amy's texts in the hope of finding a way to bring her back to life. He apparently succeeds, because soon Amy is up and around again, although she's not quite her old self; there's a vacant look in her eyes, her shattered spine grinds horrifically when she moves, and the only word she can say is "hungry." Steve decides they need to get away for awhile and give Amy a chance to recuperate, so it's off to a secluded cabin in the woods (important safety note: NEVER bring a zombie to a secluded cabin in the woods). Amy has become quite ravenous, and on the way to cabin she wolfs down several fast food burgers, despite her previous status as a vegetarian.

When the zombie apocalypse comes, there will be many hardships for the survivors. The Stink of Flesh deals specifically with how a world overrun by the flesh-eating undead will effect the wife swapping community. The collapse of civilization and the resulting loss of the Internet and the local swingers scene will make alternative lifestyles even more challenging than ever.

Matool is a short but scrappy individual, wandering the wasteland and dispatching zombies with his wits and the freakishly long carpenter's nails he keeps strapped to his leg. His name, incidentally, is also the name of the zombie-infested island in Lucio Fulci's Zombie, and has obviously been swiped in homage. Ammo is too hard to come by, so Matool cleans up the world one walking corpse at a time by pounding nails into the creatures' heads like they were a shop class project. When Matool is kidnapped and taken to the remote home of Nathan and Dexie he fears the worst, but things are not as they seem. Dexie fancies a variety of sex partners, and her husband is more than happy to supply them -- as long as he can watch, and Matool quickly makes the transition from unwilling captive to enthusiastic participant. Dexie's sister Sassy has her part in all this, as does the vestigial conjoined twin Dorothy that is attached to her side.